Showing posts with label lou reed. Show all posts
Showing posts with label lou reed. Show all posts

Thursday, May 18, 2023

EASY LISTENING NIGHT


Ho-ly shit, I never thought I'd find this online. What reason would one have for digitizing it? Metal Machine Music is one of the greatest albums of all time and it's almost entirely unlistenable. It's industrial music before industrial music was a thing. Grating? You bet. I like extreme shit and for the mid-seventies this was about as extreme as it got. I'd love to have a dinner party and blast a quadraphonic version of it from all four corners of the room. Alas, the downloads below are not from the 8-track tape version. That format will remain the white whale for now.

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Listen:
Lou Reed - Metal Machine Music A-1 mp3
at Internet Archive 16:10 minutes
Lou Reed - Metal Machine Music A-2 mp3
at Internet Archive 15:53 minutes
Lou Reed - Metal Machine Music A-3 mp3
at Internet Archive 16:13 minutes
Lou Reed - Metal Machine Music A-4 mp3
at Internet Archive 15.55 minutes
Visit:
Metal Machine Music entry
at Wikipedia

Thursday, October 6, 2022

THE THIN WHITE DUDE (TO BOWIE'S DUKE)


It never occurred to me to look for any live footage of mid-career Lou Reed. It must be because it didn't occur to me any would exist. If you weren't a hitmaker, in the pre-internet, pre-cable TV days, there wasn't much of a demand for live footage of lesser know acts, at least here in the states. So this one stuck out like a sore thumb. Live footage from a 1974 concert in Paris. The quality is surprisingly good and it's a good look at Reed trying to figure out where he was going next. From the same year that Rock 'n' Roll Animal, a live album, and Sally Can't Dance were released, this footage is about thirty minutes long with six songs starting with two Velvets songs. A bunch of oddball moments in here, from intermittent Jagger-on-ludes moves, to the instrumentation that barely resembles the original recordings. To wit, within ten seconds of each other, a few seconds that sound like Steppenwolf morphing within a few measures into a riff that sounds an awful lot like the intro to the Talking Heads' cover of "Take Me to the River" and that's just a ten second chunk; this in "Waiting For the Man". The year after this, Metal Machine Music was released. Still trying to figure it out.


Saturday, May 25, 2019

LOUB DYLREED

All credit here for this pairing goes to Probe is Turning-On the People. A demo of the Velvet Underground sounding like Dylan, and an alternate take of Dylan doing "Desolation Row" sounding like the Velvet Underground. Both songs were recorded in July, 1965 in New York City. Oh yeah, you know they were watching each other. Ever so close to worlds colliding.

Poke around over at the Probe. There's a lot of great esoteric music. These were posted in 2011 and he'd already been posting for a few years then. Dude must have a record huge collection. You'll see.

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Listen:
Velvet Underground - Prominent Men (demo) mp3 at Probe Is Turning-On the People Session 338
Bob Dylan - Desolation Row (alternate take) mp3 at Probe Is Turning-On the People

Monday, April 8, 2019

THIRTEEN YEARS BEFORE METAL MACHINE MUSIC

I wasn't looking for this, but that's usually how it starts. After my brother, Snail, commented on a post a couple days ago, I started thinking about all of the records that he brought home to the boys room. The early, and I mean early (age 10-13), stellar choices he made were often dead on. He was the first to bring home Bill Haley, Eddie Cochran, Black Sabbath, and the Who. B-lister choices were good too. Cactus, Jo Jo Gunne, Status Quo, stuff like that. And the garage sale finds? The Fabulous Wailers, Bud Shank's soundtrack to the surf movie Barefoot Adventure, and Screamin' Lord Sutch, heavy friends and all. So I was all set on doing some sort of "Snail Gold" post. I thought I'd try looking for Screamin' Lord Sutch and just get the nut cases out of the way ASAP. Detour! While looking for Sutch shit I ended up running across a pre-Velvets Lou Reed cut from 1962, a demo unreleased until 2000.

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Listen:
Lou Reed - Your Love mp3 at A Terrible Blogger Is Born
Visit:
Lou Reed- All Tomorrows Dance Parties at Norton Buy it tightwad.

Wednesday, February 13, 2019

THIS IS NOT ROBERT QUINE

I wasn't expecting to revisit an LP I bought years ago when I clicked on a random funky soul song. "Keep On Dancin'" is a five minute jam reminiscent of B.T. Express, by Hamilton Bohannon (seen above) who, according to the liner notes of the album, had been "Motown's bandleader for a number of years" (this in 1974). That's not the reason for the detour. Reading the short blurb at Art Decade, it says "Featuring Fernando Saunders on bass. Does he play any two-bar unit exactly the same, or is each one different, like snowflakes?" Shit, I knew that name, but from where? I had a look at Saunders's discography. There it was. He played on a bunch of mid-late Lou Reed studio albums, none of which I owned. But, wait, there it really was, Lou Reed - Live In Italy, an album I had heard, many times. I bought it on cassette in Italy when it came out. I was doing the backpack/hostel/Eurail pass thing. Florence, Firenze to locals, 1984. I remember because when I went to see Michelangelo's David the place was full of noisy tourists so I decided I'd rather listen to music. The cheapo Walkman knock off that I had was loaded with the Lou Reed album and I let the fifteen minute medley of "Some Kinda Love/Sister Ray" rip while I checked out the marble. Yee haw.

That album is notable because Reed and Saunders's band mate was guitarist Robert Quine, one of the most underrated guitarists of all time (in my book, the only one that matters to me}. Quine had been in Richard Hell and the Voidoids, and on the two albums that he did with them he thoroughly ripped, but not in a normal rock 'n' roll way. There was something else going on. His leads were disjointed and abrasive, but it wasn't showmanship or guitar hero shit. It was more cerebral, irreverently so.

I am, no doubt, going to be listening to the Voidoids tonight, but you ought to check the Lou Reed live thing. As far as I know, that tour, the album and the video that was released later, are the only live recordings of Quine. Reed's playing is good too, and, hey, they have  that guy who may or may not play any two-bar unit exactly the same holding down the low end. You've gone this far. Click on something.

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Listen:
Hamilton Bohannon - Keep On Dancin' mp3 at Art Decade
Lou Reed - Live In Italy (full LP) (streaming) at YouTube

Sunday, January 21, 2018

RALPH STANLEY COVERS THE VELVETS

I've got no idea how this slipped past me. Wait, I do. I'm not enough of a Bowie fiend, or even Velvet Underground fiend, to know about every burp and fart they ever recorded. So the fact that an early cover of the Velvet Underground's "I'm Waiting For the Man" by a band called Riot Act, with Bowie on vocals, slipped past me shouldn't surprise me. What did surprise me is that the Riot Squad was covering it practically before it was released. In late 1966, Bowie's manager at the time returned from a trip to New York with an pre-release acetate of the first Velvet's album, given to him by Andy Warhol. The Riot Act started performing "I'm Waiting For the Man" right away. Bowie was only in the band for a couple months, so the recording was done soon thereafter. It didn't see release until 2013.


After hearing it, I started thinking about the whole Lou Reed/Bowie thing. That top photo above appeared in a magazine around 1972, and led to speculation that they were more than just friends. I don't remember being all that surprised by it, rather I found it funny because another photo in the sequence revealed that the third wheel obscured by their smooch is Mick Jagger. After all of the ostracizing dynamics of the Stones, it was nice to see him the odd man out.


Here's a smattering of versions of two Velvet Underground songs, "I'm Waiting For the Man" and "White Light, White Heat", another song that Bowie and Reed shared more than once. The real oddball down there is unrelated to Bowie or Reed (other than Reed's authorship). It's a cover of "White Light, White Heat" by bluegrass icon Ralph Stanley. The shit you find...

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Listen:

Saturday, May 31, 2014

STICK TO YOUR SOUP CANS

This will get you Velvet Underground freaks in a tizzy, but note, it's bittersweet. First the good news. It's 33 minutes of a live performance at the Boston Tea Party in 1967, in color, with synched sound. Now the bad news: It was filmed, purportedly, by Andy Warhol, who apparently had seen the Velvets enough at that point that he found the kid doing the light show and the audience far more entertaining. The quality flat out blows. Warhol was not a cinematographer, you know that. But the camera work on this one is so bad that it seems like he was just learning to use the camera. The capture above is about as clear as it gets (the title was added). But, you VU freaks will probably want to see it. Check it out soon, because it was just posted about a week ago, and if it was filmed by Warhol, you can bet it won't last long.



The other videos linked below are the only other Velvet Underground videos that have surfaced in the past few years, and they're much better quality, which is to say passable versus shitty. The first is the band playing at the factory, shot by Warhol, in black and white. The others are of the Exploding Plastic Inevitable, with Gerard Malanga in all of his whipping glory. There's just a couple songs down there to satiate your ears. Check the other old posts for lots of other Velvets stuff, including live stuff, pre-Velvets stuff, alternate takes, blah blah, blah....freaks.

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Listen:
Video:

Sunday, October 27, 2013

METAL PERFECT DAY MACHINE

You've undoubtedly heard that Lou Reed passed away today. If you're young, you may not know who he is, or if you do, don't understand what the fuss is all about. If you lean towards hipster, you may think that anything after the Velvet Underground sucked. If you're a little older, you might just know his only hit, "Walk On the Wild Side". If you're a music geek, you may love much of his work, or you may hate it. Or both. When you step back and take your personal listening habits away from the equation, what you come away with is a ground breaker; someone genuine, cool enough to be uncool, a streetwise degenerate, melancholy sap, a survivor, and writer of songs ugly and beautiful, cooler than shit, and total pap.


Tammy Wynette followed by Shane McGowan; all I'm sayin'.

If you are of a certain age, his work probably intersected with events in your own life. You may have hummed along with "Walk On the Wild Side" when it was a hit, not knowing what it was about. You may have been introduced to the Velvet Underground through his solo versions of their songs on his LP "Rock 'n' Roll Animal" LP, featuring the overly long solos of Dick Wagner and Steve Hunter (later, after you'd grown out of you masturbatory guitar solo phase, wondering what he was thinking ), Maybe you remember hearing Metal Machine Music and thinking "the fuck is this?", or hearing "Sally Can't Dance" and going "I give up". You may have bought the Live in Italy on cassette, based solely on the fact that Robert Quine was in his band, and listened to it while you finished your hostel hopping through Europe. You may have played "Perfect Day" at half of the friends' wedding receptions you DJ'd at. You may have the face of your late brother flash before you every time you hear "Pale Blue Eyes". You may have come to admire Reed for what he was.  Motherfucker was and is Lou Reed. There's only one.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
Lou Reed - Perfect Day mp3 at The Cargo Culte
Lou Reed - Metal Machine Music, Part 1 mp3 at WWMMD (?)
Velvet Underground - Pale Blue Eyes mp3 at Motel de Moka
Velvet Underground/Lou Reed - Rock 'n' Roll (four mp3s) at Review Stalker LP, demo, alternate take and solo live.
Lou Reed - Acoustic Demos (1970) (via MediaFire) at A History of The Underground Recording Industry 31:52 minutes
Pre-Velvets:
The Primitives - Do the Ostrich mp3 at Beware of the Blog
The Primitives - Sneaky Pete mp3 at Beware of the Blog
Video:
A Night With Lou Reed (hour long 1983 live set) at YouTube with Robert Quine on guitar
Visit: 
Past Velvet Undergound and Lou Reed posts A lot of the links are still good.

Sunday, September 22, 2013

VU SHAKE

I was listening to an unlabeled mix yesterday, dated 10/09. The instrumental version of the Velvet Underground's "Guess I'm Falling In Love" came on. It sounded righteous. This has happened before, same song. I never have to go looking for it. Every once in a while it just pops up, as if reminding me it's time to revisit its awesomeness. I still totally dig it. I like that it sounds like the Velvets, but it doesn't sound like the Velvets. It's kind of garage, but it isn't. Without the vocals, if you hadn't heard the song before, you might not be able to tell what band it was, or even what year. If you haven't heard it before, give it a go.

There's also a link to two different versions of "Some Kinda Love" at Boogie Woogie Flu. Nice write up too. If you haven't poked around here much, there's a bunch of Velvets related stuff that's been posted in the past. Scroll down this page. A lot of the songs are still there.

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Listen:
Velvet Underground - Guess I'm Falling In Love (instrumental) mp3 at Rock 'n' Soul Ichiban
Velvet Underground - Some Kinda Love (Closet mix) mp3 at Boogie Woogie Flu Go there to get it
Velvet Underground - Some Kinda Love (Val Valentin mix) mp3 at Boogie Woogie Flu Ditto
Note: No idea if the photo is the same incarnation that recorded any of these, I just dug the photo.
Visit:
Other Velvet Underground posts Scroll down

Thursday, March 28, 2013

LEVEL TWO LOU

Oh jeez. More Velvets. But there's some pre-Velvets Lou Reed things too, more than the Beachnuts and the Primitives stuff that's been widely circulated for years. Actually, these have all probably been all over the place, if you're in the Velvet Underground Next Level of Fiendom club. I am not. I'm in the That Looks Interesting, What the Hell club, where pretty much everything goes. There's just a few below, but there's a lot more at The Big O, twenty six in all. I don't need twenty six, but you might, if you're some kind of level two VU pledge.

Of the few I've listened to, the early favorite is "You're Driving Me Insane" by the Roughnecks, an early Lou Reed band of which I know nothing about. You ought to just go there and jut give them all a shot. Note: "Afterhours" by the Carol Lou Trio was written by another Lou Reed and is not related at all to the Lou Reed were talking about. Someone goofed somewhere.

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Listen
The Roughnecks - You're Driving Me Insane mp3 at The Big O
The Velvet Underground - Noise mp3 at The Big O From The East Village Electric Newspaper.
All twenty six cuts at The Big O
Earlier:
All previous Velvet Underground posts  I swear I'm not a level two-er. I just keep running into things.

Tuesday, February 19, 2013

IT'S THEM AGAIN

Yep. More Velvet Underground related shake. These come courtesy of Probe Is Turning-On the People. It's an interesting mix of covers and oddballs from right around the time of that first LP, most from 1967.  The first song is a cover of "There She Goes Again" by Banana, a band of American GIs, recorded while they were in Vietnam (get this, they were in a jungle, powered by a generator). Then, (you know he had to make an appearance) Bowie with an unreleased version of "I'm Waiting For The Man". Apparently Bowie had a pre-release test pressing of the first VU LP. This is early Bowie, circa '67. For my money, the best thing included is a cover of "Run, Run, Run" by a Dutch group, the Riats, supposedly the first VU cover released on vinyl, again, in '67. It's a neat organ driven version, pretty different fromm the original. Then the Riats tackle "Sunday Morning", on the flip. That's followed by the Yardbirds' cover of "I'm Waiting For The Man" was posted here a few weeks ago. The rest of the songs aren't covers, just vaguely related. The first of those is Bowie with the Riot Squad doing a song called "Little Toy Soldier", which just mentions the Velvets, then two other bands that may or may not have copped the Velvet Ungderground name intentially. One is Velvet Undergound Ltd, from that hub of decadence, Enid, Oklahoma, and then another band called Velvet Underground from Austrailia.


If you happen on this post a few weeks after it was posted, a tip about how to navigate the Probe page is in order. His posts are done in "sessions". This set is from Session 419, so, if it doesn't appear at the top of the page linked, just poke around. The sessions are in reverse chronological order. While your digging around, check out his other posts. The Probe's taste runs the gamut, and the stuff he posts is, more often than not, stuff you won't run across elsewhere.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen: 
Velvet Underground Covers and What Not at Probe Is Turning-On the People Ten mp3s in a zip
Posted before: 
Velvet Underground - Guess I'm Falling In Love (Instrumental) mp3 at Boogie Woogie Flu Essential.
Pre-Velvets Reed and Cale:
The Primitives - Do the Ostrich mp3 at Beware of the Blog
The Primitives - Sneaky Pete mp3 at Beware of the Blog 
Full length set:
Velvet Underground - Live at the Boston Tea Party at Aquarium Drunkard Twelve song set. 
More Velvets:
All previous Velvet Underground posts with a lot of links that are still live

Saturday, October 6, 2012

IN CASE YOU MISSED IT

This is for you Velvet Underground fiends that may not have caught it yet.  It's a 1967 live gig from a New York venue called The Gymnasium.  It was posted here about three years ago, but those links petered out and I just ran into it again.  It's notable for a few reasons.  One is that it's among the material that Robert Quine taped, but was not included in the sanctioned bootleg "Quine Tapes". (Quine would later play guitar for Richard Hell and the Voidoids, and Lou Reed.)  It's also significant because it includes the first ever live performance of "Sister Ray", and another song "I'm Not A Young Man Anymore" that has never been released anywhere else.  Just for good measure, there's a single song below, an instrumental version of "Guess I'm Falling In Love", which is also included on the live thing with vocals. It's significant because I think it's hot shit. (It's been posted a few times before, but bears repeat posts, it's that hot of shit.)

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
Velvet Underground - Guess I'm Falling In Love (instrumental) mp3 at Rock 'n' Soul Ichiban 
The live thing:
The Velvet Underground - Live at The Gymnasium at Captain's Dead Five songs, downloadable as individual mp3s.

Sunday, August 12, 2012

HEY STOMP. BANG ON THIS.


Watching the Olympic Closing Ceremony (which really is just a pop concert), I had to stop for a second. Motherfucking Stomp? I thought they were done. Really? Stomp, huh? I'll give you "stomp."

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
Lou Reed - Metal Machine Music, Part 1 mp3 at WWMMD (?)
Bonus filler:
Pre-Velvets:
The Primitives - Do the Ostrich mp3 at Beware of the Blog
The Primitives - Sneaky Pete mp3 at Beware of the Blog

Tuesday, May 22, 2012

MINT CONDITION DIRT, AS-IS


Try as I might to toss up a few newer things every now and then, sometimes trying to find anything that measures up to older stuff is like banging your head against a wall. It's not like there isn't enough new stuff out there, it's just that most of it is not of the "Who the hell is this?!" variety. My frustration tonight occurred primarily at The Hype Machine, a music blog aggregator, I clicked randomly through five or six pages of music blog posts and found nothing that would get me riled up. (The Hype Machine can be found here. If you find anything worthwhile, I'm all ears.)

So, here's a a few I found at one of the ol' reliables, Rock 'n' Soul Ichiban. The first one, "Guess I'm Falling In Love" by the Velvet Underground, has been posted (and slobbered on) here before. It's one of my favorites, a nearly perfect rock 'n' roll record. It does many things well; the pace of it, the stops and starts, the way the solo starts at :50, the outtake/demo+ quality of the recording, Nothing is overdone, nothing is extreme, It is just a compact song, with everything unnecessary left out (including vocals on this version). (I know the Velvets image above is the earlier incarnation, but it's a cool photo.)

It's from a old post of thirty songs that the A-Bones have covered. Two of the A-Bones, Billy Miller and Miriam Linna, run Norton Records, which means they are fully qualified to pick good songs, and these are good. Most of the songs are older than the Velvets cut, and some hover on the esoteric side of corny, but they all seem to have that certain something that makes the Hype Machine seem totally irrelevant.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
Velvet Underground - Guess I'm Falling In Love mp3 at Rock 'n' Soul Ichiban
The Torquays - Stolen Moments mp3 at Rock 'n' Soul Ichiban
Betty Dickson - Shanty Tramp mp3 at Rock 'n' Soul Ichiban
Larry Williams - You Bug Me Baby mp3 at Rock 'n' Soul Ichiban
Rudy Grayzell - Judy mp3 at Rock 'n' Soul Ichiban
The Sabres- Take Up the Slack Daddy-O mp3 at Rock 'n' Soul Ichiban
Visit:
Songs the A-Bones Taught Us (part 1, 30 songs) at Rock 'n' Soul Ichiban
Songs the A-Bones Taught Us (part 2, 19 songs) at Beware of the BlogNorton Records

Friday, March 11, 2011

UP (YOURS) WITH PEOPLE!


Photo: Square America

Too old and tired to go out and get nutty on a Friday night? We have an app for that. I ran across a medley of Velvet Underground songs that pops up from time to time. The first time I heard it, it prompted a mix of WTF mild amusement, and purist annoyance. So, of course, I had to subject you to it. If you want to get it out of your head right away, follow it up with the "Guess I'm Falling In Love" instrumental version as a chaser, loud. It's the only known remedy.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
The symptom:
Mike Flowers Pop - Velvet Underground Medley mp3 at 8106 ("No para puristas"? No shit.)
The remedy:

The Velvet Underground - Guess I'm Falling In Love (instrumental) mp3 at Boogie Woogie Flu
Earlier VU post:
The Velvet Underground Grab Bag (Note: From a year ago, so some mp3 links may be dead)

Monday, February 14, 2011

PROBLEMS ALL LEFT ALONE


Anyone who DJ'd back when it meant just playing records, invariably caught themselves between gigs and just short of money enough to agree to DJing at a wedding reception or two. I did it myself, about a dozen times. There were some couples, notably the music freaks, that would have playlists of stuff they wanted played. Others might give you a general idea of stuff they like. And there would be others that didn't even give it any thought whatsoever. One thing that was surprising is how many couples didn't think about their "first dance" record until the last minute. For an unprepared DJ this meant thinking fast on your feet.

One thing I learned after DJing a few weddings is to always have Lou Reed's "Perfect Day" on hand. For any couple that didn't have a preselected song, it was the go-to first dance selection. It's a beautiful song, and transcends generations and genres. It's short, slow, and it keeps building as it goes. By the time it starts fading, with Reed repeating the line "You're gonna reap just what you sow," there was rarely a dry eye in the house. Yes, it's sappy, but that's part of it's appeal. And, honestly, if a Transformer era Lou Reed didn't care about being sappy, should a wedding DJ?

Here's the version as released on Transformer, and the acoustic demo. The demo is nice to hear, because it's just Reed and guitar, without the orchestration. Imagining Reed having just written it with a particular person in mind somehow makes it a little more intimate. If you know the originally released version, you should give the demo a listen anyway. Even if you haven't drank sangria in the park, or fed the animals at the zoo, hopefully you've had a perfect day of some sort with a sweety. I have. This one's for her.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
Lou Reed - Perfect Day mp3 at Dad's Records
Lou Reed - Perfect Day (acoustic demo) mp3 (via Box.net) at Les Enfants Terribles
Video:
Lou Reed and others - Perfect Day (BBC promo) video at YouTube With, among others, Bono, David Bowie, Suzanne Vega, Elton John, Burning Spear, Emmylou Harris,Tammy Wynette, Shane McGowan, Dr John, Evan Dando, Laurie Anderson and Tom Jones. (Sorry, no Link Wray.)
Lou Reed - Perfect Day (live, 1998) video at YouTube

Thursday, July 1, 2010

"OH, HOW DELICIOUSLY DANGEROUS"


You know how, a few years ago, you started seeing well-off middle aged women with their highlighted shag Quatro-cuts, and their accessorizing (pre-fab distressed jeans, scarfs, boots, etc.) and you're sure they think that they're pulling it off? (There's a male version of the poseur-rocker too, usually with a Harley or something suitably "dangerous.") Imagine that same brand of clueless-ness, in the mid-sixties when they find out that that crazy Campbell soup artist is staging a happening, with droning music, a weird light show and dancers with whips.

At the time, Andy Warhol's Exploding Plastic Inevitable probably seemed like the hippest, "let's be daring" thing going. Today, it's interesting in an anthropological sense, but not nearly as threatening. Granted, there had to have been some genuine freaks at the shows, you know that with Warhol's name attached to it, there were more than a few rich wives and their "not-so-sure-about-this" husbands. This is all just speculation (because, to be honest, I'm too lazy to research), but I'm willing to bet that Warhol's crew of crazy kids (Velvet Underground , et al) genuinely thought this was some sort of mind expanding freakout statement. And Warhol may well have been laughing all the way to the bank. Even if he didn't make much on the actual shows, it paid dividends in what it did for his brand/image, and that's gotta add to the value of traded art.

Whatever, we still look to it as a reference point. And it's thirteen minutes of some noisy-ass shit.

Andy Warhol's Exploding Plastic Inevitable with The Velvet Underground at UbuWeb (1966) VIDEO
Two more clips! at Plaztikmag (1967) VIDEO

Friday, January 15, 2010

VELVET UNDERGROUND GRAB BAG

A few months ago, I was listening to mp3's on shuffle, going about my business, when I was jarred by an instrumental that I hadn't really heard. I mean, it was on my computer, so I had downloaded at some point. But I must not have listened to much of it, because I would have noticed it. It was raunchy, repetitive and kind of distorted (so, my kinda music). The playing was good, but it was basic enough that it didn't come off like hot shots. But the thing was, the mix; the mix was godhead-o-phonic. When I went to my computer to see who I'd been listening too, and saw that it was the Velvet Underground, I felt like Poseur of the Day.

Could it be, that my (new) favorite Velvet Underground song was an instrumental? And singled out, without a clue who it was? I should have recognized it, but it was from an outtakes album that I never got around to getting. And, sans vocal, it didn't sound like them. (Listen to it. The mix seems a little louder than most of their stuff.) And I like that there are breaks; the song has spots for verse, chorus and back again. And that it sounds like the Sonics doing the Velvets, (Gawd, would I like to hear Gary Roslie yelp over that!) A few months after putting it in the "save for later" pile, I figured I better put in up, before the link is dead. Do yourself a favor, get it now.

Ever wonder why all the photos you see of the Velvet Underground are in black and white?

This of course, gave me the excuse to post the backlog of Velvets/Lou Reed mp3s and links that I had. So here's the rundown: The first is the aforementioned instrumental version, followed by the live "gymnasium bootleg" version, with vocals. That's followed by the live gymnasium recording of "I'm Not A Young Man Anymore" (the only known recording of that song). "Pale Blue Eyes" is on here because it reminds me of my brother. "The Gift" is on here because it reminds me of a long lost friend, Doug Diaz, who transcribed the whole damn thing and turned it in as his own short story back when he was in high school. Then there's nine songs (at Beware of the Blog) from the "Ultra-Rare Acetate," unreleased studio recordings that were found in a stack of old records and sold for some ungodly sum a while back. Next is a Lou Reed interview from 1974, just because I find funny; it's right out of the Warhol interview hand book (you know: short, inconclusive answers). Then there's one of very few videos that's labeled as the Velvet Underground and Nico on YouTube (though it seems like it's just Lou Reed and Nico) doing an acoustic "Femme Fatal". I followed that with Nico, from the mid-80's doing "All Tomorrows Parties". I included that because it was about the time I saw her live in Amsterdam (and, you know what? The bitch didn't even look at me). After that is the Primitives, a demo-only pre-Velvets group of Reed and Cale's, who were working as songwriters for Pickwick at the time. Somehow "Do the Ostrich" got released and became a minor regional hit, forcing them to throw together a group to promote it. (A complete pre-Velvets discography can be found here.) I had to include "Perfect Day" not only because it's beautiful, it's also a go-to tear-jerker for anyone DJing a wedding. The promo for the BBC using the song is pretty tight too. (Don't turn it off when Bowie flashes on your screen. You'll be rewarded with snippets of Burning Spear, Shane McGown, Emmylou Harris, Dr. John, and Tom Jones as compensation.) Then there's the mildly amusing "Sister Ray" mash-up with the VU dubbed over a video of a Lawrence Welk band. Next is an interview with Reed at Kung Fu magazine, about the "Tai Chi of Rock n' Roll," which I haven't read, but still induced a nice smirk when I saw his poses (here's the cover). Last on the list is yet another mash-up by Go Home Productions, this time mashing Christina Aguilera and the Velvets.

So, I've pretty much depleted my stock of oddball Velvets/Reed links. Now a challenge: Five, count'em five, American dollars to anyone who sends me an mp3 of their own (or someone else's) vocals over the instrumental version of "Guess I'm Falling In Love". The only criteria is that it can't be Reed's vocals. You can make up lyrics, do a mash-up or whatever. If there's more than one sent, I'll post them all and let people vote on them. If you drop Gary Roslie's vocals over it, you'll be an instant winner of ten American dollars. Just throwin' it out there...
One more thing, just remember folks, per Reed, his reissued Metal Machine Music is "the perfect holiday gift for your loved one."
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Monday, February 25, 2008

YEAH, YOU'RE WHAT, 25?...FIVE WHAT??


V.U. fiends have been going ape in the past couple of weeks over a previously unreleased live recording of the band. The only available live recording available from 1967, it contains an unreleased song, "I'm Not a Young Man Anymore," not available anywhere else, and the debut live performance of "Sister Ray", (known in these parts as "Nico's Piss Break"). The sound's not bad, particularly for a bootleg of a show that old. If you're a Velvets freak, you're not even reading this; you've already skipped out to download and dissect it. Me, I don't need everything. I'll just listen to "I'm Not a Young Man Anymore" and try not think too hard about about the incredibly insightful lyrics.
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