Showing posts with label greg noll. Show all posts
Showing posts with label greg noll. Show all posts

Tuesday, June 29, 2021

DA BULL WAS HUMAN.


After having just mentioned Greg Noll a few days ago, I found out last night that he had just died, yesterday. It hadn't even been picked up by Wikipedia yet. It hit me in a weird way. He was a surfing legend, one of the first big wave riders, all-time and all that jazz. It is like rock 'n' roll losing Chuck Berry. But that's not what made it feel weird. What made it unusual was that it felt like a friend had passed away. As I mentioned in the post a few days ago, I met him a few years ago in a parking lot outside a supermarket. I'd actually seen him about a half hour earlier just inside the entrance of the Target store next door to the grocery store. There he was, just standing there in shorts, flip-flops and sweatshirt with the sleeves cut off, holding one of those big ass plastic mugs with a lid and a straw (the type favored by soda pop fiends and highschoolers at their first keg party). He was looking around as if he was looking for someone. I thought to myself "That looks like Greg Noll, but that couldn't be him, he lives in Crescent City." (Crescent City is in Northern California just south of Oregon.) I went about my business figuring it was just a doppelganger.

Leaving Target I was headed to my car. I ran into my cousin and walked with her in the same general direction. We were approaching a truck with a Noll Surfboards sticker on the tailgate. Ordinarily I would just figured it a coincidence. I see those stickers occasionally, as the surf shop (now owned by his son) is just about seventy miles north. But this sticker was centered in the middle of the tailgate, with pin-striping around it. So, this sticker held more significance to whoever...wait! Could it be?, I thought. I stopped, and muttered to my cousin something like "Want to meet a big wave legend?" She begged off and said goodbye. I walked to the side of the truck and saw the silhouette of a big guy in the passenger seat. Noll is big. A bruiser. I figured that if it was him, I'd never forgive myself if I didn't do something. I approached the car door. It was Noll. I just walked up and before I could get past "Mr. Noll,..." his hand was already out the window, to shake.

Here's the weird part. I wasn't nervous at all. Later I chalked that up to having read his memoir, Da Bull, and watched enough semi-recent interviews to know his matter of speaking. He cusses in all the right places, using it as color, not to cuss for cussing sake, That is an art. It almost seemed as if I knew him, there was that sort of one-on-one comfort in conversation, like have having a beer with a buddy.



He was waiting for his wife who was in the grocery store. As our conversation was going on (15 or 20 minutes at that point) I apologized for taking his time and he said something to the effect of "Hey, it's alright. I'm just sitting in a truck waiting for my wife," and the conversation lasted for several more minutes. He talked about his brother (who lives in east county San Diego), the boat he just bought (and was to be docked here), his love for San Diego (Sunset Cliffs in particular), his son, the crowds in line ups these days and then the conversation went to his relationship with Miki Dora. I asked him what he thought about the Miki Dora biography that was published a few years earlier. The two had been friends since they were about ten or twelve, and Noll is quoted heavily in the Dora book. Contemporaries, Noll later favoring the North Shore of Oahu (Waimea, Sunset, Pipeline and Makaha) and Dora at Malibu. They both had rough edges but Dora was a scammer and a thief. A rat fuck. Anyway, once Noll got started on Dora, it was off to the races. This story and that, how they met, the wave they shared at Waimea that was shot during the filming of Ride the Wild Surf. (Noll was the stuntman for the surfing scenes and had gotten Dora, a four foot and under guy, a job doing it. The trouble was, Dora was not at all comfortable in huge surf. Noll knew that. Tee hee, friend.)

Every story would lead to another, and every other segue he would say, "oh wait, that's in the book" and start on another one. Here I was, getting first hand stories, stories that weren't in the books, about a legend, from a legend. Let's take that Chuck Berry comparison again. It would be like asking Chuck Berry about Bo Diddley and have him generously offer up story after story. It was the surfing equivalent of that. He was genial, down to earth and warm in a no bullshit way. No wonder it seemed like a friend died.

I have no clue what music Noll liked, but I have to wash out that surf music with something. In the late fifties surfers dug jazz. And in 1959, what would have been Noll's third year on the North Shore, Dave Brubeck's "Take Five" was a jazz smash hit.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~ 
Listen:
Dave Brubeck Quartet - Take Five mp3
at Time Goes By
Visit:
Greg Noll
at Encyclopedia of Surfing A great page with videos, a profile and articles from years past.

Thursday, June 24, 2021

AND HE PROBABLY HATED SURF MUSIC.


Did I ever tell you about the time I met Greg Noll? Probably not since most of you don't know he is. He was a big wave surfer, a gutsy pioneer who excelled in giant surf, late fifties, early sixties. When he wasn't surfing, he made films, shaped surfboards and raised hell. And, as I found out roughly five years ago, sometimes he waited for his wife, in a truck in a parking lot at Ralphs, a supermarket.. Remind me to tell you about that encounter some time. Like you could give a shit. Really, I figured I better say something other than "Here's some surf music. Later." That's Noll in both photos. Check that one above, a half century before tow-ins. Imagine paddling into that on a log with block fin. You'd need a slug of juice too. There's a good reel with vintage clips at the Encyclopedia of Surfing. Now, here's some surf music. Later.



~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~

Wednesday, June 20, 2012

CRO-MAGNON SURF MUSIC


You know what bugs me? Okay, you know what one of the things that bugs me is? Any band that's come down the pike in the last five or ten years that uses the word beach or surf in the name of their band, or the name of a song. You know what also bugs me? Any mention of dreamy lo-fi surf pop, psych surf, or any other type crap that elicits a Jesus-criminey, haven't these young yahoos done any listening at all? This all sounds like the ranting of a surf music purist, you're wrong. I dig surf music in the classic sense. I also like offshoots of surf music, and I even like wacko modernized surf music. Just keep that indie hipster shit the hell outta my way.

If'n I were a surf music purist, I'll tell you where I'd start. You'd have to go back to the very late fifties, when Bud Brown (the man who gave us The Endless Summer a few years later) did a couple surf films called Barefoot Adventure, and Slippery When Wet (among others). As there was no so-called surf music, and Dick Dale was still a year or two away from putting out his seminal "Let's Go Trippin'," Brown needed some music to play with his movies. Let's back up. In the late fifties and early sixties, Brown toured the West coast of the U.S. playing his movies in rented halls, school auditoriums, and occasionally in a bona fide movie theater. His was an real DIY routine. With no sound on the actual movie reels, he'd tour with his trusty reel to reel, playing music, and actually narrating the films live, in his deadpan cornball style (think Bob Newhart).


Slippery When Wet (1958)

The music he played for those two films was recorded by one Bud Shank, and let me tell you: if you want to go back to the source, Shank's soundtracks are a good place to start. Not at all the guitar driven type surf music, Shank was a West coast jazz artist, playing alto sax and occasionally flute. The laid back stuff he recorded for Brown's films put you in an era before surf culture went mainstream.

Before the beach party movies, before the surfer stomps, before the Beach Boys, before the marketing of surfing, before all the crowds showed up. This was when surfers were very much a sub-sub-subculture. Surfers hung out without any hoopla (well, very little). To surf was to be an all around water man, and somewhat of an outsider. Boogie boards and surf leashes where decades away. If you lost your board, you swam to get it. SPF50 was three letters and two numbers. If you decide to stay at the beach for dinner, you didn't go to Taco Bell. You went back in the water and got your dinner, and then cooked it over an open fire. But you, dear reader, have your i-Phone.

Stop the presses: The blog Dumb Angel did a nifty post about Laurindo Alemeids, who the cite as the first surf guitarist. Among others who he recorded with, in the fifties, was Bud Shank. It's a good post, so bone up poseurs.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
For you finicky "no jazz" types:
The Astronauts - Baja mp3 at The California Girls
The Pyramids - Penetration mp3 at Bowling League Records
Johnny Fortune - Soul Surfer mp3 at Rocky-52
Full LP
Bud Shank - Slippery When Wet (via Mediafire) at Black Sea Surfer If the Mediafire link doesn't work here, go here and scroll down to the fifth album. If you want to sample it first, watch the clip above.
Video:
Slippery When Wet - Another clip at YouTube
Bud Shank & Clare Fischer -Misty (Frankly Jazz TV show, early 60's) at YouTube
Bud Brown interviews Greg Noll about his shaping (early balsa board) at YouTube