Showing posts with label the clash. Show all posts
Showing posts with label the clash. Show all posts

Wednesday, April 3, 2019

GUNS OF BRIXTON DEPOT

Once chance viewing of the Clash's "Guns of Brixton" and I had the song going in my head for two days. Damn good song it is, the first Paul Simonon wrote for the band, off their clusterfuck of a third LP, London Calling. I remember being as jacked up at that song as I was bewildered by "Train In Vain", the latter because it was so un-Clash-like. There were a couple reasons why "Guns of Brixton" stood out. One, the first verse: "When they kick at your front door, how you gonna come? With your hands on your head or on the trigger of your gun?" Whew, badass or what? Reminiscent of rude boy era reggae. I'm not about gun culture, but, really, how many of us that go apeshit for "Johnny Too Bad" have ever walked around with a ratchet [knife] in their waist? You don't have to live it to recognize the baddass quality of it. 


Speaking of reggae, the second reason I dig that particular song is that it's the closest the Clash ever really got to reggae. Sure, they did a cover of Junior Murvin's "Police and Thieves", the Maytals' "Pressure Drop" and Willie Williams's "Armageddon Time" and made a gallant attempt with their own "White Man (In Hammersmith Palais)", but "Guns of Brixton" had that stand your ground feel.

I went looking for an mp3 of it, to no avail, but came across some other stuff and I'm not about to let my scavenging go to waste.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
The Clash - Guns of Brixton (streaming) YouTube
The Clash - Guns of Brixton (live) mp3
at Review Stalker
The Clash - Return to Brixton
(streaming) at YouTube Version
The Slickers - Johnny Too Bad mp3
at Snuthing Anything
Junior Murvin - Police and Thieves mp3
at Snuthing Anything
Willie Williams - Armagideon Time
(streaming) at YouTube
Covers:
Jimmy Cliff - Guns of Brixton
(streaming) at YouTube
Nouvelle Vague - Guns Of Brixton mp3
at Ze Happy World according to UU
Calexico - Guns of Brixton mp3
at Turntable Kitchen Go there to get it
Arcade Fire - Guns of Brixton
at Turntable Kitchen Ditto. But this one sucks.

Thursday, November 29, 2018

GET TO WORK YOU LAZY POSEURS

I've just finished reading Jon Savage's The England's Dreaming Tapes for the second time. It consists of the interviews he conducted for his earlier book England's Dreaming, an overview of the English punk scene. There's a shitload of take-aways in it, as far as common pre-punk tastes (Roxy Music, Bowie, Mott the Hoople, the Stooges, and the MC5), what gigs they went to, when they first became acquainted with the Sex Pistols, the impact of the Pistols, and so on. Everyone saying that the pre-Nancy Sid Vicious was really nice, surprisingly smart, and funny. I haven't read the book that the interviews were conducted for, but this follow up is deep, I can't imagine the earlier book adding all that much.

I haven't listened to punk rock all that much in recent years because I've listened to all of the seminal stuff so much I'd practically memorized much of it. You can debate all that you want about whether or not "punk is dead", but to me much of what has been labeled punk rock in the last thirty years is derivative, just banging out three chords and showing an angry face. All the mosh pit and stage diving nonsense, everybody's seems to forget the part about thinking for yourself and debasing what came before. Well intended or not, most of it seems disingenuous. Punk rock is decidedly dead. The spirit of punk is not, but you'll have to look elsewhere for it (the first thing that comes to mind is the lone protester standing in front of the tanks in Tiananmen Square. Oh, and the Pussy Riot thing).

In the midst of reading the book I did some poking around online and while looking for the current status of Jamie Reid, the situationist pal of Malcolm McLaren who did all of the Sex Pistols graphics, I ran into his semi-recent revisit of the original "God Save the Queen" graphic, this time around with Trump the target. It got me to thinking that if punk rock did truly still exist, shouldn't there be an anti-Trump anthem by now? There may very well have been an attempt, but if I haven't heard of it, the splash wasn't big enough. You can't leave all that to Uncle Neil. I mean, jeez, show us what you're made of.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
The Sex Pistols - God Save the Queen mp3 at Marty Sport (?)
The Clash - I'm So Bored With the USA mp3
at Review Stalker
The Buzzcocks - Boredom mp3
at Inside Pulse (?)
The Damned - Neat, Neat, Neat
at Jorge Farah (?)
Plaster these around the hood:
God Save the USA - Jamie Reid, high resolution version of above
God Save President Trump, God Save Us All, alternate version  

Saturday, March 17, 2018

HEY, YOU IN FRONT. WHAT'S WITH THE SHOES?

A friend of mine recently posted a video of a band called the Wild Angels, a corny name and a band I've never heard of. You never know where these things are going to lead so I checked it out. Sounded kinda sorta like Dave Edmunds type stuff, rockabilly informed, but not straight up rockabilly. That would explain the abundance of sideburns. The video was okay, not earth shattering, The corny backing vocals were a put off, but not enough to at least give these guys a look-see. It turns out that they backed Gene Vincent for an England tour in 1969. It was time to do some digging.

What I was able to find was three passable covers, "Brand New Cadillac", "I Fought the Law," and "My Way", the source material being Vince Taylor, the Bobby Fuller Four and Eddie Cochran respectively. Not bad choices. They hold up as some sort of pit stop between the original versions and later covers by the Clash ("Brand New Cadillac", "I Fought the Law,") and the Real Kids ("My Way"), though the guitar sound on the Wild Angels' "I Fought the Law" blows. No punch. Regardless, here's the fruits of todays wild goose chase.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
The Wild Angels- Brand New Cadillac mp3 at Rocky 52 1972
The Clash - Brand New Cadillac
(streaming) at YouTube 1979
Vince Taylor - Brand New Cadillac mp3
at ATumblr (?) 1959
The Wild Angels - I Fought the Law mp3
at Rocky 52 1973
The Clash - I Fought the Law mp3
at Quiet Color 1979
Bobby Fuller Four - I Fought the Law mp3
at Rocky 52 1966
The Wild Angels - My Way mp3
at Rocky 52 1973
The Real Kinds - My Way
(streaming) at YouTube 1977
Eddie Cochran - My Way
(streaming) at YouTube 1959

Video:
The Wild Angels - Jo Jo Anne at YouTube

Tuesday, January 23, 2018

I LIKE BIG HAIR AND I CANNOT LIE

Fuck, "Fujiyama Mama" turned into a rabbit hole. I heard Eileen Barton's version, sounding surprisingly rockabilly for something recorded in 1955. Not all that different from Wanda Jackson's cover from '57. That's the one that everybody seems to know and most assume is the original. It is not, but that's where things get going good. Released earlier in 1955, Annisten Allen's version is the original and it's full r&b. It's not often you get to hear an r&b version and a rockabilly (or at least hillbilly) version released no more than months apart.

The fourth version (if what I read online is accurate), was Pearl Harbour's 1980 version. (That's her, above,) It was produced by Mickey Gallagher, the pianist for Ian Dury, and the Clash's touring keyboard player. Pearl Harbor was, at the time, seeing Paul Simonon. Because of those two things, I'd always assumed that one or more of the Clash was on Don't Follow Me, I'm Lost Too, her LP that contained "Fujiyama Mama". After seeing them back her doing it live (video here) I realized that they can't play the song for shit.
 
~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~ 
Listen:

Tuesday, March 8, 2016

WHAT YOU MISSED

I'm not a total Clash nut, but after running into these all within a few days it seemed like a way to get them out of my hair immediately. It's some early demos of the Clash, and some early live stuff that's never been released. The latter was posted on YouTube by Keith Levene, who was in the band when they were recorded. Completists, have your way.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
The Clash - Polydor demos (1976) at Mustard Rellics. Five mp3s, scroll down to the middle of the post, just below the baseball caps.. Songs: Career Opportunities, White Riot, Janie Jones, London’s Burning, 1977
The Clash - Mickey Foote demos (1977) and the Polydor demos
at Teenage Dogs in Trouble The five songs above and eight others, two rar downloads
The Clash - 6 Unrecorded unreleased tracks (live 1976) (streaming) at YouTube With Keith Levene

Monday, December 10, 2012

35 YEAR OLD SHAKE

A lot of you probably have the first Clash album, and some of you might have both versions, the original 1977 UK version, and the US version, released in 1979 with a different track listing. I was fiend enough to own both, but the UK version I had has been lost for years. It was good to here "Protex Blue" again today, so I thought I'd make an easy "fix the US version" kit for fellow tightwads. As happens with most of my bright ideas, the results are rather half assed. I could only find two of the other four songs needed, "Cheat" and "Janie Jones". In lieu of the other two ("Deny" and "48 Hours") there's the demo of "1977" that makes the officially released version sound over produced, and a link to a 1978 show (both of which have been posted before).

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen: 
The Clash - Protex Blue mp3 at Boogie Woogie Flu
The Clash - Cheat mp3 at Town Full of Losers
The Clash - Janie Jones mp3 at The Weekly Meat
The Clash - 1977 (demo) mp3 at Dalston Oxfam Shop 
Live set: 
The Clash - Live at the Palladium (1979)  at Captain's Dead Complete set as a zip and individual songs as mp3s. Good quality soundboard recordings, for those who care. 
Visit:
The Clash (LP entry) at Wikipedia

Monday, November 19, 2012

BUTTERFLY EFFECT

If you've ever wondered why the hell there's reggae all over this place, along side rock 'n' roll and other seemingly disparate types of music, there's a reason probably only obvious to old punk rockers. For a lot of us geezers, even here in the states, it can be traced back to DJ Don Letts. He worked at the Roxy, a London night club, back in the seventies, spinning records between punk bands.  There was very little punk rock on vinyl at the time, so he turned to the music he knew, and that was reggae. Like punk rock, a lot of it was rebel music, and that loose connection essentially all it took for early UK punk bands to embrace the music. Many became well versed in reggae, even if it wasn't necessarily absorbed into their music. But the influence was there, most notably with the Clash, who covered reggae songs like "Police and Thieves", wrote their own versions ("Guns of Brixton", "White Man in Hammersmith Palais") and recorded with Lee Perry producing.  But the Clash weren't alone. Generation X's "Wild Dub", the B side on their "Wild Youth" single, was a somewhat feeble attempt to bridge the dub gap (before it became commonplace). The Slits, who wholly embraced reggae, brought a whole new low tech/high imagination hybrid to the table. 

Some of the UK bands would mention this person or that, and that's when it the sound really spread in punk circles. For instance, when Johnny Rotten name dropped reggae toaster Dr Alimantado in an interview, UK record sales for Alimantado spiked. But it wasn't limited to the UK for long.  As UK punk zines slowly reached the U.S., a whole other crowd was turned on. Hell, my very first reggae 45, "New Star" by Tapper Zukie, was bought via a recommendation by some long forgotten punk taste maker (Poly Styrene?).  In the second issue of my short lived zine, contributors submitted Top Ten lists. Mine included Tapper Zukie and U Roy records, both of which were bought at the same independent record store that had the hot punk shit.  To put this into period context, it all happened before Bob Marley became a household name around hippie flop houses and college dorms. He was pretty much just another reggae artist. That said, his song, "Punky Reggae Party", celebrated the unlikely alliance, name dropping punky reggae party attendees, starting with his own band name, followed by the Damned, the Jam, the Clash, the Maytals and Dr. Feelgood. (Well intended as it was, Marley, in an slight case of randomized bullshitting, picked a few there that don't quite belong, eh?) The lines that follow the name dropping verse were music to punk ears, "No boring old farts, no boring old farts, no boring old farts, will be there!" Punky reggae party. OK.
  


It's really pretty remarkable when you think of how many people were tuned onto reggae via this very real butterfly effect. Letts himself cites the film The Harder They Come, punk rock, and Bob Marley, in that order, for the rise of reggae. And the whole punk rock part of the equation came about because Don Letts didn't have any punk records. 

Notes:: Letts later began film making, and was a member of Big Audio Dynamite. In  2005, he produced Punk: Attitude, what may be the definitive documentary of punk rock. Really, he gets it right. It's good, and it's authentic (highly recomended). About the music below, it's a smattering of related stuff, all worthwhile hot ass shit. Read the little blurbs for the reasons. I could have hunted for more, but I gotta sew this thing up.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen: 
Bob Marley and the Wailers - Punky Reggae Party mp3 at You Sound Like a Robot 
Bob Marley and the Wailers - Stir It Up mp3 Original JA version 
Bob Marley and the Wailers - Soul Rebel mp3 at Review Stalker Produced by Lee Perry 
Jimmy Cliff - Guns of Brixton mp3 at Groove on Fire Clash cover 
U Roy - 006 mp3 at Groove on Fire Produced by Lee Perry 
Dr. Alimantado - Poison Flour mp3 at Le Blog de la Grande Chose 
Live set: 
The Clash - Live at the Palladium (1979) at Captain's Dead Complete set as a zip and individual songs as mp3s. Good quality soundboard recordings, for those who care. 
Video: 
Don Letts interview at Red Bull Academy "The cultural revolution of two spliffs and one beer, told by the man who unified punk and reggae" (Text version below) 
Visit: 
Don Letts - Interview at Red Bull Academy 
Don Letts at Wikipedia 
Don Letts - Radio show at the BBC

Wednesday, October 19, 2011

THEY STILL HOLD UP


Every once in a while, when the Sex Pistols cross my mind, I think, why them? They sound an awful lot like a rock n' roll band with a bad singer. What set them apart? Beyond the fact that they were brilliantly anti-marketed, wrote good songs, had flippant attitudes, and were among the first of the UK punk bands, were they all that inventive? Militant? Honest?



Who really cares? All I know is that I'd never seen the video above before tonight, and it reminded me of what a good band they were, whatever their standing in the punk annals.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
The Sex Pistols - Pretty Vacant mp3 at Review Stalker
The Clash - I'm So Bored With the U.S.A. mp3 at Review Stalker
The Buzzcocks - Orgasm Addict mp3 at Review Stalker
Wire - Pink Flag mp3 at Review Stalker
Note: If links don't work, all mp3's can be found at Review Stalker.
Previous related post:
Listen Up Sonny - Sex Pistols oddballs, rarities & demos

Tuesday, August 16, 2011

NO ELVIS, BEATLES OR WHATEVER


Just ran into an old NME cassette compilation that includes a Clash demo, and an alternate take of "Submission" by the Sex Pistols. I know, big whoop, eh? There's also a bunch of stuff you old farts probably already have (Buzzcocks, Damned, Wire, Sham 69, Slits, ATV). My first thought when I see a collection like that is that I'm over it, saturated to the teeth with early punk rock that I've heard a thousand times. But you know what? Some of you may not have. So here's the Clash demo, and you can head over to Dalston Oxfam Shop for the rest. (He also ripped other comps here.)

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
The Clash - 1977 (demo) mp3 at Dalston Oxfam Shop

Sunday, June 12, 2011

CONTEXT KILLS


This all started with a friend posting a video of Eddy Grant's "Electric Avenue," a song that I thought I hated. But the friend who posted it is one of those long time friends whose musical tastes are informed, the type that hears things that you might miss. The song in question had long left my radar, because I had dismissed it from the git-go. I'd been listening to reggae for several years when "Electric Avenue" came out, and I thought that Grant was trying to pass it off as reggae (he with the way-too-neat dreads). Because my friend posted it, I gave it another listen. And, you know what? Taken it out of any genre context, it's a great song.


The Equals, 1967 UK TV

Grant, as many of you may know, was also the singer of the Equals, whose "Police On My Back" was covered by the Clash. One of the oft-mentioned topics about the Equals was their multinational make up. Two were British, two Jamaican, and Grant was from Guyana. Their output, at least what I've heard of it, was stylistically varied. The common notion is that their varied backgrounds are reason why their sound didn't fit into one neat category. Whatever. Just get all that context stuff out of here for a minute. You're going to ruin it. (Thank you M.F.)

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
The Equals - Police On My Back ('67) mp3 at Funky 16 Corners
The Clash -Police On My Back ('80) mp3 at Naf-anya1.narod.ru (?)
The Equals - Baby Come Back ('66) mp3 at David Fulmer.com
The Equals - Black Skinned Blue Eyed Boy ('70) mp3 at Young Manhattanite
Eddy Grant - Electric Avenue ('82)mp3 at One Sweet Song
Video:
The Equals - Hold Me Closer (The Beat Club, '67) at YouTube
The Equals - Baby Come Back (Top of the Pops, '68) at YouTube
The Clash - Police On My Back (live) at YouTube
Eddy Grant - Living On the Front Line ('79) mp3 at YouTube
Eddy Grant - Electric Avenue ('82) at YouTube
Eddy Grant - I'm the One (Just Remember) ('10?) mp3 at YouTube

Tuesday, November 23, 2010

TAKE A DRIVE WITH SOME OLD FRIENDS


Should you have a long drive ahead of you this week, here's enough to keep you from dozing off. You might agree that a lot of podcasts found online can seem like vanity mixes, and not quite what real radio is like. But I ran into a few radio shows that, though I've only listened to a portion (there's hours of them to get through), sound interesting enough to help you drive a few more miles before pulling over for another cup of coffee.

First up is a bunch of Joe Strummer's "London Calling" radio shows, that originally aired on BBC's World Service radio, from 1998 to 2002. Eighteen in all, there's hours and hours of good stuff. And there's also Don Letts Culture Clash, a Joe Strummer tribute show, from 2007.

Next up is a radio show, in two parts. It's John Lydon visiting Steve Jones on his Jonesy's Jukebox show, originally aired on Indie 103.1 FM, in 2006. This one is a hoot. It's really neat to hear the two of them, older and presumably wiser, talk about music some thirty years after they first met.

If you can't get to downloading these right away, rest easy. They've apparently been online for some time, so just come back and get 'em later. And a little PSA here: don't drive drowsy, and by all means, don't drive drunk or stoned, you know it's idiotic.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
John Lydon with Steve Jones on Jonesy's Jukebox, Part 1
John Lydon with Steve Jones on Jonesy's Jukebox, Part 2
Originally aired on Indie 103.1 FM, March, 2006. at John Lydon's site.

Joe Strummer's London Calling 2000 Show 1 (of 6 from 2000)

Joe Strummer's London Calling 2001 Show 1 (of 4 from 2001)
Joe Strummer's London Calling 2002 Show 1 (of 4 from 2002)
All 18 shows, originally aired on BBC's World Service, 1998 - 2002, at Radio Clash

Don Letts' Culture Clash, Joe Strummer tribute show
at Radio Clash

Monday, August 9, 2010

DOWN THE REGGAE RABBIT HOLE


This mixed bag all started with a post on Funky 16 Colors, with Junior Murvin's original version of "Police and Thieves." Near the end of the post is a quote from Max Romeo, on the loose Lee "Scratch" Perry A&R process, using "Police and Thieves" as a reference. According to Romeo, Junior Murvin was one of many who lurked outside of Lee Perry's studio, strumming guitars and singing their songs, hoping to get noticed. It was not unusual for Perry to wander out of his studio, hear an unknown singer, and drag them immediately into the studio to cut their song, which is just what happened with Murvin. Now, that all sounds pretty cool, but when you consider that an incidental discovery became a reggae classic, it's pretty amazing. Then, following the songs lineage, you might remember that the same song, once played unassumingly outside of Perry's studio by a complete unknown, was covered by the Clash , ultimately exposing millions of rock and punk fans to it. The whole thing becomes kind of mind blowing. Even if you, like myself, have heard both versions dozens of times, it's still hard not to appreciate them more in a different context.

Doing a little more digging, I ran across a few reggae mp3s on a blog called "Streetkiss," (it's written in French, so I'm assuming it's from France). Stuck between reggae cuts was the Impressions' "Minstrels and Queens," followed by a reggae version of the same, by the Techniques, retitled "Queen Majesty." It's a great reworking, but the song really got the treatment a few years later by DJ toaster U Roy. Using the same rhythm and backing vocals used by the Techniques (though rerecorded), his version is renamed "Chalice in the Palace," (from his 1975 LP, "Dread In a Babylon"). But U Roy takes radical liberties with the song, altering the storyline to include bringing a chalice (slang for bong) to the queen. So, today I learned something. I've been listening to the U Roy version for thirty years, and never knew the origins. This would probably explain why I spend an inordinate amount of time trolling music blogs.

I decided to hunt down the Heptones' "Book of Rules,", because it's a personal favorite, one of those rare songs that would be incredibly tough to improve on. It has everything that makes the golden era of reggae so enduring; multiple layers of rhythm, a simple bass line, super smooth vocals, trodding tempo, and the textbook chunka-chunk guitar. If the true test of a good song is listening to it with your eyes closed to give it your full attention, then "Book of Rules" has passed mine, many times. Continuing a Heptones hunt, I found myself back on Streetkiss, for the Heptone's cover of Sam Cooke's "Only Sixteen," on a post that included a bunch of other great early reggae tracks, including an unreal cover of Nancy Sinatra's "Bang Bang" by Tomorrow's Children.

Though most of us cannot read French, the three part series on Street Kiss is highly recommended. It's easy enough to figure out where the author is coming from, particularly in Part One, where he seems to be writing about early sound systems, posting some early R & B that influenced the tempo and rhythms of early bluebeat and ska, with Professor Longhair (yip, yip!), Lloyd Price, Wynonie Harris and others.

Part Two, has Prince Buster, the Skatalites, the early Wailers, and the Starlites. Part Three has a great bunch, including cuts mentioned above, Alton Ellis' cover of Procol Harum's "Whiter Shade of Pale," Peter Tosh's cover of the Box Tops "The Letter" (retitled "Give Me a Ticket"), and cuts by the Sensations, more Price Buster, the Melodians and Derrick Morgan (among others). I just wish I knew French, because it looks like the guy put a lot of work into the series of posts.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Junior Murvin - Police and Thieves mp3 at Funky 16 Corners
The Clash - Police and Thieves mp3 at Audio Muffin
The Impressions - Minstrels and Queens mp3 at Street Kiss
The Techniques - Queen Majesty mp3 at Street Kiss
U Roy - Chalice in the Palace mp3 at Flea Market Funk
Heptones - Book of Rules mp3 at Town Full of Losers
Sam Cooke - Only Sixteen mp3 at Street Kiss
The Heptones - Only Sixteen mp3 at Street Kiss
Nancy Sinatra - Bang Bang mp3 at One Sweet Song
Tomorrows Children - Bang Bang mp3 at Street Kiss
Alton Ellis - Whiter Shade of Pale mp3 at Street Kiss
Peter Tosh - Give Me a Ticket [The Letter] mp3 at Street Kiss

Reggae Culture 1: The Voice of the People at Street Kiss
Reggae Culture 2: Out of Many, One People at Street Kiss
Reggae Culture 3: People get Ready at Street Kiss