Showing posts with label go home productions. Show all posts
Showing posts with label go home productions. Show all posts

Friday, February 17, 2017

WAITING FOR THE ICE CREAM MAN

Calm down. It's fake.
I haven't run into this one for a long while. Forgive me if you've heard it, this is for those who haven't. Yo, pimply faced freshmen, I'm assuming you know the Archies' "Sugar Sugar", and you are aware of the Velvet Underground. If not, go to Wikipedia and/or YouTube. We won't hold your hands here. If you do know them and realize how diametrically opposed they are, you'll probably find this interesting. It's a mash up by Mark Vidler (who if I remember correctly went by Go Home Productions). "Velvet Sugar" mixes the vocals from "Sugar Sugar" and the music of the Velvet Underground. It's much more effective than it sounds. He did some other good ones, one favorite was Sex Pistols vs Madonna, "Ray of Gob".

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
Mark Vidler - Velvet Sugar mp3 at Internet Archive
Mark Vidler - Ray of Gob mp3 at Internet Archive
Mark Vidler - This Was Pop 2002 - 2007
at Internet Archive 18 more mash-ups. NOTE: In the right column, under "Download options" click on "VBR MP3 Files"

Monday, December 20, 2010

LAST MINUTE PARTY SUPPLIES


Here's a mess of last minute background noise for your holiday shindig, and it's a weird mix. Let me preface all the descriptive rambling by saying that I'm not one for playing a lot of holiday music. (It's just not my bag, man.) That said, I know some of you can't get enough of it. So, here's a bunch. Some links, some mp3s, and a couple full mixes; all told about 175 songs. And, if you're going to a family get-together, I'd recommend previewing some first. (Let's just say that no matter what, Eazy E's getting coal in his stocking for life.)

Now, about the songs: I had to start with Darlene Love's "Christmas (Baby Please Come Home)" for one big fat reason. It's not often that the hardened semi-geezer that is your host gets choked up. But, it does happen at least once a year, while watching TV of all things. Because, every year, Darlene Love appears on Letterman, on his last show before Christmas (this Thursday, the 23rd). She performs her signature song, in front of a brass section, a string section, and a choir. Now, one of things that gets me all misty eyed is that she does it year after year (twenty three and counting), and I reflect quite a bit in those three minutes. I get to thinking about how many of my friends purchased the Phil Spector Christmas album as their first adult holiday music purchase, a sort of serendipitous rite of passage. And I think about how all of those friends, now far and wide, have probably dug it out for the holidays, somehow linked by their appreciation of Spector's Wall of Sound. That's the big thing, that Wall of Sound. It also hits me, as I watch it, that it is probably the only time I will ever see a Spector produced song performed live, with anything that approximates the same arrangement and backing that was in the studio way back when. It's really something to watch. It's big. It's joyful. It may be corny (specifically, when the sax player appears), but if you're anything at all like me, it can be goosebump inducing. (There's links below to videos of previous performances to give you a taste.)

Now that I've about used up my allotment of wordiness, here's the rundown on the others. The Pogues "Fairytale of New York" is such a melancholy song, and made more so when you consider what a relative mess Shane MacGowan is. It's beautiful, in a very weird way. After that is another Spector produced Darlene Love song. Then there's a little soul interlude, with JB, Carla Thomas and Clarence Carter. Following that is Joey Ramone's version of "Merry Christmas (I Don't Want to Fight Tonight)" because it seems a lot more heartfelt than the original by the Ramones proper. The Apoctalyptica cut's in there because you always need a little Finnish cello-metal in a holiday mix. The Reverend Horton Heat song sounds like something out of a Sergio Leone flick. Jimmy Smith is just so cool, nothing further needs to be said. The Deer Tick song, as much as I hate the premise, is some pretty worthy banging. The Stevie Wonder cut is such an amazing anti-war song that I'm embarrassed to say, I never heard it until recently (as in, a couple hours ago). Buck Owens is down there because everybody needs a tear jerking Bakersfield breakdown at some point.

Turn it up guys, and remember: Darlene Love, Thursday night.

Darlene Love - Christmas (Baby Please Come Home) mp3 (plus 9 others) at AM Then FM
The Pogues - Fairytale of New York mp3 (plus 38 others)t Salad Days of Music
Darlene Love - White Christmas mp3 at Aquarium Drunkard
James Brown - Santa Clause, Santa Claus mp3 at AM Then FM
Carla Thomas - Gee Whiz It's Christmas mp3 at Kick Kick Snare
Clarence Carter - Back Door Santa mp3 at AM Then FM
Joey Ramone - Merry Christmas mp3 (plus a 24 song mix) at Sucka Pants
Apocalyptica - Little Drummer Boy mp3 at Cover Me
Reverend Horton Heat - What Child Is This mp3 at AM Then FM
Jimmy Smith - Santa Clause Is Coming to Town mp3 (plus 9 more) at Review Stalker
Deer Tick - Christmas All Summer Long mp3 (plus 19 others) at Consequence of Sound
Stevie Wonder - Someday At Christmas mp3 at AM Then FM
Buck Owens & Susan Raye - All I Want For Christmas Is My Daddy mp3 (plus 14 more) at My Aimz Is True
Mixes:
A Different Kind of Christmas - 25 song mix at Flowering Toilet
(The Fall, Jack Scott, Johnny Otis, Chuck Berry, Solomon Burke, etc.)

Christmas Wrap - 25 song hip hop mix at Electric Adolescence
(Snoop, Eazy E, 2 Live Crew, Biz Markie, Big Daddy Kane, etc.)

Watch:
Here's a few of the Darlene Love performances from the Late Show With David Letterman. Another post will be about the videos (only so much gushing in one night). For now, here's these:
Darlene Love - Christmas (Baby Please Come Home), 2009, Letterman at YouTube
Darlene Love - Christmas (Baby Please Come Home), 2008, Letterman at YouTube
Darlene Love - Christmas (Baby Please Come Home), Compilation of four Letterman appearances, 1995, 2000, 2005, 2009 at YouTube

Friday, January 15, 2010

VELVET UNDERGROUND GRAB BAG

A few months ago, I was listening to mp3's on shuffle, going about my business, when I was jarred by an instrumental that I hadn't really heard. I mean, it was on my computer, so I had downloaded at some point. But I must not have listened to much of it, because I would have noticed it. It was raunchy, repetitive and kind of distorted (so, my kinda music). The playing was good, but it was basic enough that it didn't come off like hot shots. But the thing was, the mix; the mix was godhead-o-phonic. When I went to my computer to see who I'd been listening too, and saw that it was the Velvet Underground, I felt like Poseur of the Day.

Could it be, that my (new) favorite Velvet Underground song was an instrumental? And singled out, without a clue who it was? I should have recognized it, but it was from an outtakes album that I never got around to getting. And, sans vocal, it didn't sound like them. (Listen to it. The mix seems a little louder than most of their stuff.) And I like that there are breaks; the song has spots for verse, chorus and back again. And that it sounds like the Sonics doing the Velvets, (Gawd, would I like to hear Gary Roslie yelp over that!) A few months after putting it in the "save for later" pile, I figured I better put in up, before the link is dead. Do yourself a favor, get it now.

Ever wonder why all the photos you see of the Velvet Underground are in black and white?

This of course, gave me the excuse to post the backlog of Velvets/Lou Reed mp3s and links that I had. So here's the rundown: The first is the aforementioned instrumental version, followed by the live "gymnasium bootleg" version, with vocals. That's followed by the live gymnasium recording of "I'm Not A Young Man Anymore" (the only known recording of that song). "Pale Blue Eyes" is on here because it reminds me of my brother. "The Gift" is on here because it reminds me of a long lost friend, Doug Diaz, who transcribed the whole damn thing and turned it in as his own short story back when he was in high school. Then there's nine songs (at Beware of the Blog) from the "Ultra-Rare Acetate," unreleased studio recordings that were found in a stack of old records and sold for some ungodly sum a while back. Next is a Lou Reed interview from 1974, just because I find funny; it's right out of the Warhol interview hand book (you know: short, inconclusive answers). Then there's one of very few videos that's labeled as the Velvet Underground and Nico on YouTube (though it seems like it's just Lou Reed and Nico) doing an acoustic "Femme Fatal". I followed that with Nico, from the mid-80's doing "All Tomorrows Parties". I included that because it was about the time I saw her live in Amsterdam (and, you know what? The bitch didn't even look at me). After that is the Primitives, a demo-only pre-Velvets group of Reed and Cale's, who were working as songwriters for Pickwick at the time. Somehow "Do the Ostrich" got released and became a minor regional hit, forcing them to throw together a group to promote it. (A complete pre-Velvets discography can be found here.) I had to include "Perfect Day" not only because it's beautiful, it's also a go-to tear-jerker for anyone DJing a wedding. The promo for the BBC using the song is pretty tight too. (Don't turn it off when Bowie flashes on your screen. You'll be rewarded with snippets of Burning Spear, Shane McGown, Emmylou Harris, Dr. John, and Tom Jones as compensation.) Then there's the mildly amusing "Sister Ray" mash-up with the VU dubbed over a video of a Lawrence Welk band. Next is an interview with Reed at Kung Fu magazine, about the "Tai Chi of Rock n' Roll," which I haven't read, but still induced a nice smirk when I saw his poses (here's the cover). Last on the list is yet another mash-up by Go Home Productions, this time mashing Christina Aguilera and the Velvets.

So, I've pretty much depleted my stock of oddball Velvets/Reed links. Now a challenge: Five, count'em five, American dollars to anyone who sends me an mp3 of their own (or someone else's) vocals over the instrumental version of "Guess I'm Falling In Love". The only criteria is that it can't be Reed's vocals. You can make up lyrics, do a mash-up or whatever. If there's more than one sent, I'll post them all and let people vote on them. If you drop Gary Roslie's vocals over it, you'll be an instant winner of ten American dollars. Just throwin' it out there...
One more thing, just remember folks, per Reed, his reissued Metal Machine Music is "the perfect holiday gift for your loved one."
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Wednesday, July 1, 2009

WTF?: VELVET SUGAR


Velvet Sugar is a mash-up, by Go Home Productions (aka Mark Vidler), who puts them together as seamlessly as anyone. His imaginative "Ray of Gob.", which mixed Madonna and the Sex Pistols seems to pop up somewhere every few months, as does this bizarre juxtaposition: the Velvet Underground/Archies "Velvet Sugar."
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Am album of recent work, including the Stones-Temptations "Rolling Confusion", T-Rex/Stones "2000 Lightyears from Bolan" can be downloaded (via Rapidshare) on his site (and there's video too).
Another curious mash-up of the Stooges and Salt n' Pepa by 2 Many DJs is posted at the end of this post on Pogo a Go Go.