GREASY, AND STICKY, AND GOOEY, AND SALTY

Well, I wanted the story on this one and I got it. An early 45 by the Supremes, "Buttered Popcorn". The first thing I noticed was that it wasn't the spit shined sound I associated with them. This, being an early cut, was a little more to my liking. None of that string laden shit, and a lead vocal by Florence Ballard, before Berry Gordy decided that Diana Ross's pipes were more marketable. Then I realized that the lyrics could be said to be a little racy. "Greasy, and sticky, and gooey, and salty." Full blown smut. Gordy, who wrote the song, feigned innocence. Yeah, right.

That there would be the end of my interest if not that the song is a catchy number, in a Northern Soul sorta way. Came to find out that the early Supremes were a quartet. Laugh all you want about me not knowing that, but the Motown I dig is more the did Talking Book, Innervisions-era Stevie Wonder, What's Goin' On-era Marvin Gaye, and anything the Temptations did with Norman Whitfield, particularly if there was wah-wah involved. I also found that before they were the Supremes they were the Primettes. Well, that's a good name. Could mean prime as in the good shit. Or if you're a math whiz, it's because they like prime numbers. That might explain why they whittled the group down from four to three. Only after being renamed as the Supremes. Oh shit, they are prime and they are supreme. One marvellettes at that.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~

Listen:
The Supremes - Buttered Popcorn mp3 at Tumblr
The Supremes - Buttered Popcorn (original version) (streaming) at YouTube
The Supremes - Buttered Popcorn (2nd version) (streaming) at YouTube
The Primettes - Tears of Sorrow (streaming) at YouTube
The Primettes - Pretty Baby (streaming) at YouTube
Visit:
Buttered Popcorn at Motown Junkies
Buttered Popcorn at Wikipedia

ODDBALLS FROM THESE LADIES

If you only have a passing interest in the Supremes, you probably only have a greatest hits album, or maybe one of their early albums with a bunch of hits. The ladies had their share of oddballs and deeper cuts. Here's four. "Sunset" slays me.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~

Listen:

The Supremes - Sunset mp3 at Still In Rock
The Supremes - Come Together (streaming) at YouTube
The Supremes - Supercalifragilisticexpialidocious mp3 at Covering The Mouse
The Supremes and the Temptations - The Weight mp3 at Cover Me

PAYBACK'S A MIX

It's party time: another brainstorming session at HQ

I know, I know, there's been more mixes posted as of late, but there's a reason for posting this sucker. The mix below, posted at Versions Galore, is based on selections by your humble hack host here. To make a long story short, it's payback of sorts, because I've linked to his stuff regularly after coming across his all-covers blog a year or so ago. His blog just passed the four year mark and he asked me, along with a handful of other people, to put together an hour of covers each. I couldn't say no, and to be honest, I was kind of jazzed to be asked. The bonus, that might temper things for you who don't necessarily like full length mixes, is that some of the songs are pretty hard to find. So, here's the song list, the mix, and links to his other mixes. Party on.

NOTE: THE HOSTING BLOG HAS REMOVED THIS MIX (9/26/2012)

Lee Perry – Jungle Lion (Al Green’s Love & Happiness) While not a straight forward cover, this is about as close as the Upsetter gets.

Lulu – Feelin’ Alright (Traffic) Surprisingly funky, she definitely had her eye on Dusty in Memphis.

Ricky Nelson – Summertime (George Gershwin for Porgy and Bess) Interesting in that it predates the Yardbirds by several years. Chicken or egg?

Tommy McCook – Goldfinger (Shirley Bassey) No shortage of early reggae/ska covers of Bond themes. McCook was a sax player for the Skatalites, and the go-to guy for Duke Reid anong others.

Jenny Dee & the Deelinquents – Shake Some Action (Flamin’ Groovies) Nice try to duplicate the Motown sound. What’s it missing? The Funk Brothers. What the hell, an “A” for effort.

The Pioneers – Papa Was A Rolling Stone (Temptations) As long as we’re on a Motown tangent, what if Norman Whitfield was Jamaican?

The Supremes - Come Together (The Beatles) Proof that Isaac Hayes wasn’t the only one who stretched out on covers.

Horace Andy – Where Do the Children Play (Cat Stevens) Classic Studio One. From Horace Andy’s first, a stone cold classic of the golden age.

Eli “Paperboy” Reed & the True Loves – Ace of Spades (Motorhead) If someone would have told me about this one, I wouldn’t have believed it. Believe it. Instant cred for the kid.

Ricardo Ray – Sookie Sookie (Don Covay) A song that’s been covered 14 million times. This one won out over Steppenwolf’s surprisingly good rock meets soul take.

Solomon Burke – Maggie’s Farm (Bob Dylan) Seriously, he could sing “Mary Had A Little Lamb” and you’d think he wrote it.

Marcia Griffiths – Band of Gold (Freda Payne) Before singing back up for Marley as one of the I-Threes. Sweet.

Celia Cruz - Yo Vivire (I Will Survive) (Gloria Gaynor) You can’t hear this one without seeing Celia Cruz’s big ass smile. Azúcar!

Sharon Jones & the DapKings - Just Dropped In to See What Condition Your Condition Was In (Kenny Rogers & the First Edition) An unlikely cover for anyone, but it works. Jerry Lee Lewis once said that he, Al Jolson, Hank Williams and Jimmy Rodgers were the only true song stylists. Someone needs to clue him into the Daptone mob.

Richie Knight & the Mid-Knights – Homework (Otis Rush) Famously covered by the J.Geils Band, this sucker just sounds so creepy.

Jack O’ Fire – Branded (Link Wray) The first time I heard this I had to pull over to find out who it was. From the amazing stable of Sympathy For The Record Industry.

Black Randy & the Metro Squad – Give It Up Or Turn It Loose (James Brown) One thing that usually gets ignored when talking about the early L.A. punk scene is how varied and musically educated the bands were. Often seen as something of a court jester, Black Randy’s baddass back up band turned more than a few Krazy Kolored spike heads onto JB via this happening jam.

Kashmere Stage Band – Take Five (Dave Brubeck) High School kids. Yes. And they beat out the Skatalites version.

The Viscounts – Harlem Nocturne (Earl Bostic) I had to end with this one. Back in the day, a older friend told me that bands at his high school dances would always play this as their last song, enabling couples to get chummy without any worries about getting kicked out of the dance. So it was that I, along with other DJ friends at a popular watering hole, took it upon ourselves to end our last sets of the night with it. Prelude to grab ass.

NOTE: THE HOSTING BLOG HAS REMOVED THIS MIX (9/26/2012)

WORTHY, I KID YOU NOT

You, like everybody else, have probably heard the Supremes' hits, to the point that you probably don't even really listen to them anymore. There so ingrained that they just go in one ear and out the other. I'm on the same boat (yeah, "Come See About Me," whatever...). So when I happened upon a Supremes' cover of "Come Together," I downloaded it with mild curiosity and that's about it. It was on the blog "Robots In Heat" which is one of those bare bones sites with no text other than song titles and artists. I check it out periodically because the head robot always puts up weird unrelated songs that invariably seem randomly picked. But the songs he chooses are always a little left of center, so, again, I bit.

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I was really surprised at this one. At the time it was recorded, a post-Diana Ross, Jean Terrell-led, Supremes were headed in a new direction. This meant away from the mascara caked lashes, evening gowns and bouffants, and onto afros and turtlenecks. The sound is far different from what you would expect from Motown as well. So, of course, that means, as a music geek, it was my duty to go trompsing around online looking for production credits (I was convinced that the producer had to have been Norman Whitfield, producer of all the great psychedelic-soul era Temptation cuts). (Follow me here...)

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As it turns out, the producer was Frank Wilson, who had been recruited in 1963 by Berry Gordy to work out of Motown's newly opened L.A. office. Wilson was well versed in the classic Motown sound, as evidenced by his own 45, "Do I Love You (Indeed I Do)," an impossibly rare Northern Soul favorite. (Long story short, 250 were pressed and all were thought to be destroyed when Wilson decided to concentrate on producing. Two vinyl copies are known to exist, with one selling for roughly $37,000 back in May. The full story is here.)

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"Come Together" though, sounds completely different from any Supremes I've ever heard, let alone Motown. The pace is much slower than the Beatles' original, reminiscent of Isaac Hayes' reworking of Burt Bacharach's "Walk On By." It's not just the pace; it's ultra-heavy on the sitar and clavinet (!), and the vocals have enough echo on them that they'd have Sam Phillips adjusting his knobs. Worthy of a download, I promise. (So much for "one quick listen and onto other things.")

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The Supremes - Come Together mp3 at Robots In Heat
Frank Wilson - Do I Love You (Indeed I Do) mp3 at DJNoDJ
Isaac Hayes - Walk On By mp3 at Funky 16 Corners
"Record price for rare Motown disc" at the BBC News
Frank Wilson page at Wikipedia