Showing posts with label u roy. Show all posts
Showing posts with label u roy. Show all posts

Thursday, February 20, 2020

PER U ROY, WAR IS VERY UGLY.

Hugh Roy? Man, ol' U Roy sure paid the price for having an oddball name. If the mislabeled records crediting him as Hugh Roy weren't enough, the original pressings of his Version Galore LP were credited to I Roy, a completely different DJ who probably had his own brand recognition problems.

Here we are, regardless of of the mislabeling. This one is for the reggae fiends that have gone past Marley, past Island Records, past all of the spit shined international publicity pushed artists. The fiends that dig the stuff that stayed in Jamaica. U Roy toasting over the Heptones, recorded at Joe Gibbs. It doesn't get more Jamaican than that. There might be only four of you going "hell yeah!". I don't care if it's three of you, tonight it's all about you. Well, two songs anyway.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
U Roy and the Heptones - Make Love Not War mp3 at Bob Marley Discography
U Roy and the Heptones - Make Love Not War Version mp3
at Bob Marley Discography

Friday, January 3, 2020

RED STRIPE OPTIONAL

Here's a random selection of reggae 45s, both the A-sides and B-sides, because, hey, it's always nice to hear them in the form that they would have been played back in the day at sound systems. I've always fantasized about being at one of those outdoor sound system dances back then. I'd stick out like a sore thumb, but if they were anything like the sound system dance I attended locally (in San Diego) back in the eighties, it wouldn't matter. Fuck, the bass alone knocked out half your senses. That was a long time ago, and I still remember the people I was with, the smell of the jerk chicken, the haze of smoke and the shuffle of the feet. It was held indoors, in the same rented hall that had also been home to many punk shows. So the venue was familiar, and because it was indoors everything seemed amplified. The music, the smoke, the smells. You really need to turn this shit up. Aw, what the hell, burn one.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~ 
Listen:

Sunday, October 20, 2019

THIS COVER PAYED DIVIDENDS

I just ran into U Roy's "Runaway Girl". It was the first song on the first U Roy album I ever bought, Dread In A Babylon. The very first time I'd ever heard U Roy. I was about twenty years old and was sucked in by the photo on the cover. Excellent marketing. That was decades ago and it's been a favorite ever since. I've posted it before, but the old link is dead, so there's not an ounce of lazy guilt in this corner. The other song below, "Chalice In the Palace" is the second song on the Dread album. It's about smoking out with the Queen (chalice = bong). Yeah, baby.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
U Roy - Runaway Girl mp3 at Pixieradio
U Roy - Chalice In the Palace mp3
at Pixieradio

Sunday, June 18, 2017

200%? HOW IS THAT POSSIBLE?

Here's a mixed bag of reggae cuts, a compilation called 200% Dynamite!, with all sorts of odds and ends. I'm not sure what the underlying theme is; it really is all over the place. Toots and the Maytals' "Funky Kingston" is probably the best known. There's a U Roy ("Tom Drunk"!), Augustus Pablo, a surprisingly funky cut from the Skatalites, Prince Buster, the Upsetters, Jackie Mittoo and a bunch of others. Check out the Abyssinians' "Mandela". That thing is stoney.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
Augustus Pablo - Rockers Rock mp3 at Internet Archive
U Roy - Tom Drunk mp3
at Internet Archive
The Abyssinians - Mandela mp3
at Internet Archive
The whole LP:
200% Dynamite! - 17 tracks
at Internet Archive
Note: In the right column, under "Download options" click on "VBR MP3 Files"

Tuesday, March 14, 2017

DANCE WITH THE DREAD THAT BROUGHT YOU

Back when I was twenty years old I knew very little about the different types of reggae. I knew I liked reggae, but I didn't have many friends who knew much about it, the internet didn't exist and there were few books on the subject in book stores or record stores other than Bab Marley bios, I had to go by gut instinct, what looked like it could be heavy, and the photo above of U Roy was all it took to take a chance on his Dread In A Babylon LP. I mean, look at it. "Three Little Birds" it ain't. That lead to road testing other reggae DJs, Two others among the earliest of my reggae albums were Big Youth's Hit the Road Jack LP, and Dr. Alimantado's Best Dressed Chicken in Town. I've been listening to all three for over half my life and they still never get old. Toe tippers start here.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
U Roy - Dreadlocks Dread mp3 at Now That's What I Call Bullshit
Dr, Alimantado - I Killed the Barber mp3 at Now That's What I Call Bullshit
Big Youth - Hit the Road Jack mp3 at PashPash

Sunday, August 21, 2016

DUDE'S STILL CRUISING

A Quantic thing with Alice Russell and U Roy? Hell yeah, I'll bite. It's good to hear U Roy's voice, and to know that he's still active, though under-utilized on this cut, It's almost too chill. I started dozing off when I was listening to it. Really.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
Quantic Presenta Flowering Inferno – A Life Worth Living mp3 at KEXP Featuring U Roy and Alice Russell

Wednesday, September 23, 2015

EARLY THIS GUY

Here's some early U Roy. A couple cuts from his first LP, Version Galore, along with the riddim sources, two songs by the Paragons, "Tide Is High" and "Wear You To the Ball".  The video below is from the same period, and was the title song of the LP. I'm not really in the mood to explain who U Roy is, or why he was influential. If you don't know, shit, you're on the internet already. Use it.



~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
The Paragons - Wear You To The Ball mp3 at Kazoo Wailers
U Roy - Wear You To The Ball mp3 at Grounds For Appeal
The Paragons - Tide Is High mp3 at Boogie Woogie Flu
U Roy - Tide Is High mp3 at A.Tumblr (?)

Tuesday, December 16, 2014

BUBBLEGUM? WHAT'S THAT?

How the fuck did that just happen? One minute my interest is piqued by an Archies cover by Big Youth, then six clicks later I'm digging through the catalog of Pressure Sounds, a UK label, They specialize in obscure and never released reggae, much of it from the golden era. I think you know what that means. About Big Youth. the cover is great, it's him with Junior Byles, from 1977. It's on a post with nine songs, a good cross section, a couple of which are below. There's some even you hot shots might not recognize (Pluto? The Eagles?). 

Looking for more info about the Big Youth cut, I ended up on the page for his "Town Without Pity" 45 at Pressure Sounds. A nice 45 I may purchase one day. A couple clicks later I ran into a compilation of versions, all from the Micron label, and deep with heavy hitters. Holy jeez, add that to the list. Looks like this fantasy shopping trip is gonna take a while. The song snippets sucked me right in.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
Big Youth with Junior Byles - Sugar Sugar mp3 at Now That's What I Call Bullshit
U Roy - Dreadlocks Dread mp3 at Now That's What I Call Bullshit
Dr, Alimantado - I Killed the Barber mp3 at Now That's What I Call Bullshit
Big Youth - Hit the Road Jack mp3 at PashPash
Big Youth - Cool Breeze mp3 at Le Blog de la Grande Chose
Visit:
Pressure Sounds  

Saturday, November 29, 2014

RIDDIM DEPOT. YEAH, WE GOT THAT.

Garret Mimms's "A Quiet Place" was just a slow tempo soul song when it was released in 1964, making it to #78 in the charts. Hardly a smash hit. But when it crossed the water over to Jamaica, boy, did it ever get legs. The Paragons recorded it at Duke Reid's in 1968, and the riddim (rhythm) that it was laid over has been mined for the past four decades. Usually referred to as the "Man Next Door" riddim, it's been used by U Roy, Doctor Alimatado, and I Roy, to toast over, and the song itself, with the riddim (as opposed to Simms's original version), has been covered by everybody from Horace Andy and Dennis Brown to the Slits. My personal favorite (which you should rightly not give a shit about) is Dr. Alimantado's version, "Poison Flour", because he incorporates Horace Andy's vocal tracks as well as the riddim, and, of course, his own spouting off . He must have like the song, because he used it twice, as did U Roy, John Holt (solo and with the Paragons), and Horace Andy (solo, with the Paragons, and with Massive Attack). And you just know the session musicians that came up with the riddim probably got the paid for the session, but squat for coming up with the very part of it that has proved so enduring. I've no clue if you can be paid royalties for just playing a song differently, but that opens up the biggest can of worms in reggae, who did what? It's like a damn free for all over there.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Songs:
Garnet Simms - A Quite Place (streaming at YouTube
The Paragons - A Quiet Place mp3 at Essentially Eclectic
Horace Andy - Man Next Door (streaming) at YouTube With dub version.
Dr. Alimantado - Poison Flour mp3 at Le Blog de la Grande Chose
I Roy- Noisy Place (streaming) at YouTube
U Roy - Peace and Love In the Ghetto (streaming) at YouTube
Dennis Brown - Man Next Door mp3 at Essential Eclectic
The Slits - Man Next Door (live) mp3 at Essentially Eclectic

Monday, October 20, 2014

THE LIFER

Damn. John Holt died yesterday. Outside of reggae circles, he's best known as the person who wrote "Tide Is High", the song that was a massive hit for Blondie. That's in about half of the headlines about his death. He was so much more than some guy who wrote a song that happened to stick. He was a reggae lifer, and when I say that I mean the guy started singing in talent shows at the age of twelve. His first record, recorded by Leslie Kong, was released by Island in 1962 when he was only fifteen. Within a few years, he a member of the Paragons, recording for Duke Reid, followed by solo recordings for Coxsone Dodd, and later Bunny Lee and others.



Dude made the rounds, for good reason, he had a silky smooth voice and was particularly adept at covers, sometimes a little too smooth for my tastes, but if you put those in the light of a reggae version of the Wall of Sound, or as close as reggae got, then it's easy to dismiss the cynicism. As much as we might dig them rawer, there's no denying that even Holt's slickest stuff are exceptional records, regardless of genre, Even after going rasta he sang with a symphony. Go figure. But, he had that voice. I told you, silky smooth.



Here's a few of his from over the years. Go on a real hunt. Go buy something. Early stuff, late stuff, I haven't heard a stinker yet. And the guy covered everybody. Even Slade. And for those of you already familiar with Holt's work, and the Paragon's "Tide Is High" and "Wear You To the Ball", and U Roy's versions toasting over them, you'll dig the last cut below "SWS Kill Your Sound Tonight", a semi-recent reworked version of "Wear You To the Ball" with a much older Holt and U Roy, going off, swapping lines, I know, huh? It is, it is that good.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
John Holt - I Cried A Tear (streaming) at YouTube 1962, first 45, age 15
The Paragons - The Tide Is High mp3
at Boogie Woogie Flu
The Paragons - Wear You to the Ball mp3
at DJNoDJ
The Paragons - Happy Go Lucky Girl mp3
at Brobots!
John Holt - A Love I Can Feel mp3 at ATumblr (?)
John Holt - Help Me Make It Through the Night mp3
at Wireframes Antamix (?)
John Holt, King Tubby & Augustus Pablo - Ali Baba Riddim Dub mp3 at Fredeeky
John Holt - Police In Helicopter mp3
at Le Blog de la Grande Chose
John Holt and U-Roy - SWS Kill Your Sound Tonight mp3 at Dancehall Music
Visit:
John Holt at Wikipedia

Wednesday, July 9, 2014

STILL FRESH

Depending on your age, you might have had the same experience. Punk rock comes along and you're excited by all the possibilities. The whole music dynamic changes. After digging your heels in, you begin to realize that the bulk of your records are by big budget bloated rock stars who's job it is to put as much distance between the performer and audience as possible. Because the bigger that space is, the more elite they are, and that leads to adulation, wealth, and a lot of hooey that has little to do with music. Fuck that. You're done being a sucker. You begin to purge your record collection, Half the shit you owned is suspect. As you get close to bare bones and then start to rebuild it, you find yourself looking for music with different criteria.


That was basically how I ended up listening to reggae. I had just a handful of reggae records at the time, and was still sort of guessing. My first picks were records that were mentioned in magazines and interviews, but without direction from a peer, I got to the point where I was just going to have to take the plunge and gamble. That was the situation when I saw an LP with a guy squatting, mid-bowl load, half enveloped in a cloud of smoke. This looks authentic, I thought. I had never heard of the artist, and had no idea there were different types of reggae, let alone what sound systems were, what toasting was, or what the role of Jamaican DJs was.  All I knew is that the dude looked like the real deal, so I bought it. The LP was Dread In A Babylon by U Roy. To say that the gamble paid dividends is a massive understatement. It's an all timer in this house, loved as much when I heard it today as it was when one of the songs, "Runaway Girl", appeared on my top ten in the second issue of my fanzine [mumble mumble] decades ago. That's just a long winded way of saying that U Roy has been with me for a long time, and ain't going anywhere soon.

Here's a smattering of U Roy. Just a few. Because, as you'll note, I got carried away with all that self sbsorbed shit. I didn't even get to anything about U Roy himself. That just gives me an excuse to post more of his stuff later. In the meantime, here's a few. The first is the one that started my obsession with reggae DJs, and as it happened, the first U Roy song I ever heard. "Runaway Girl". So good.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
Holy shit! Live DJ sets!:
The King Attorney Hi-Fi sets
at Who Corked the Dance King Attorney hosts U Roy, Dillinger, Ranking Trevor and others. Click on "Reup"," and it'll take you to MediaFire, which is a bit of a pain, but they're fast downloads, and really, you may never again have the opportunity to hear U Roy on the fly in the seventies.

Friday, February 14, 2014

MIC PASSING DIVERSION

Just ran into a post with ten good reggae DJ (toaster type) cuts, with some of my favorites. U Roy, Dillinger, Dennis Alcapone, Trinity, Big Youth and so on. You'll recognize the backing tracks (riddims), a few of them have been used a lot. Even so, it's always interesting to hear what someone else does with it. Maybe not always, but often. Check Trinity's "Three Piece Suit", the riddim of which is used in Althea and Donna's "Uptown Top Ranking". Both of those have been here before, but I don't remember if I ever posted Big Youth's "Cool Breeze" which uses the the same riddim as Scotty's "Draw Your Brakes". Always had a soft spot for that one, "Draw Your Brakes". It was the first reggae DJ song I ever heard. (Scotty pictured above.) So that was the reason I started down this road. But, man, were things about to turn weird.

I ran into a track by one Dub Gabriel, with David J from Bauhaus on bass and U Roy on the mic. Boy oh boy, ain't no U Roy I know. You know what it sounds like? It sounds like a late night jam with Berlin/Low-era Bowie, Eno, U Roy, and..., hey look over there, there's Ralf and Florian smokin' a doobie. It's kind of unsettling if you're a purist, but it is interesting to hear. I guess. They kinda paved paradise there.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
Scotty - Draw Your Breaks mp3 at La Grand Chose
Big Youth - Cool Breeze mp3 at For the Sake of the Song
Trinity - Three Piece Suit mp3 at For the Sake of the Song
Eight more prime DJ cuts at For the Sake of the Song
Althea and Donna - Uptown Top Ranking mp3 at Clumsy and Shy
Dub Gabriel with David J and U Roy - Luv n' Liv mp3 at Music to Die For

Monday, September 9, 2013

REID'S RECYCLING

If you listen to early rock steady recordings by the Paragons and didn't know anything about them, you might not think they were anything remarkable. The more you listen to reggae though, particularly early reggae and rock steady, the less you notice the production quality, which is not as crisp as you may be used to. Whether it was the production or the pressings, most early Jamaican vinyl is a little muddy. But if you dig that sort of music and listen to it enough, you just sort of tune it out until eventually your imagining it in the era it was released. At that point, the muddiness almost seems to enhance the listening experience. That's when you can truly hear the greatness of the Paragons (or Alton Ellis, or early Toots, or early U Roy, or...). And the Paragons were great, particularly when a young John Holt joined in 1964. Before he went on to a lengthy solo career, Holt wrote "The Tide Is High", the one song of theirs you've probably heard. Their On The Beach LP is a bit like the first Velvet Undergound LP, not in sound, but in that time has proven it a classic, a moment in time where everything came together. Fidelity be damned.

Duke Reid put it out, as well as early sides by U Roy. U Roy would tap into the Paragons' catalog for stuff to toast over, two on his early LP Version Galore, and a few years later another, a riddim rerecorded by the Skin Flesh and Bones band, on the 1975 LP Dread In A Babylon. The fidelity on that one ain't so damned.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
The Paragons - Wear You To The Ball mp3 at Kazoo Wailers
U Roy - Wear You To The Ball mp3 at Grounds For Appeal
The Paragons - Tide Is High mp3 at Boogie Woogie Flu
U Roy - Tide Is High mp3 at A.Tumblr (?)
The Paragons - Silver Bird mp3 (via DivShare*) mp3 at Dave's Juke Box
U Roy - Silver Bird mp3 at Xiami
The Paragons - My Best Girl mp3 (via DivShare*) mp3 at Dave's Juke Box
The Paragons - Happy Go Lucky Girl mp3 at Reggae Top Site
*NOTE: Once you get to DivShare, click on the green "Download" button, and scratch your head for fifteen seconds. When the button reappears, you're good to go. Give it a second or two.

Tuesday, July 16, 2013

DO ME

I dig Ken Boothe and it's been a while, so here's a handful from him. But this time we turn the tables on Mr. Never Met A Song I Couldn't Cover.  But first, a couple covers by Booth; of Mungo Jerry's "In The Summertime", and Bill Withers's "Ain't No Sunshine", both solid. Then, his "Old Fashioned Way", followed by U Roy's version, "Dynamic Fashion Way". And finally, Boothe's "Artibella", followed by a cover by Robert Walters's 20th Congress, which is so damn fine that it was the reason for this Boothe-fest. And that is how you make a paragraph out of a song list.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
Ken Boothe - In the Summertime mp3 at Cubik Musik
Mungo Jerry - In the Summertime mp3 at LZ Center
Ken Boothe - Ain't No Sunshine mp3 at Hearsay
Bill Withers - Ain't No Sunshine mp3 at AMPS
Ken Boothe - Old Fashion Way mp3 at Daniel Johnson Writes
U Roy - Dynamic Fashion Way mp3 at Miafiori (?)
Ken Boothe - Artiebella mp3 at Le Mellotron
Robert Walters's 20th Congress - Artibella mp3 at Aquarium Drunkard Go there to get it. Hey, there's three other songs too.

Wednesday, June 19, 2013

CRASH COURSE

Here's a nice contrast and compare exercise for anyone not really sure what the Jamaican DJ or toaster actually does. The first thing you should know is that they don't actually play records. In a nutshell, they talk, shout, boast, comment, make fanciful noises, and throw in a few of there own personal catch phrases, basically just about everything vocal but sing, and they do it over records being played at sound systems. Jamaican sound systems were basically mobile discos. In the beginning (late fifties) they played rhythm and blues, later moving to ska, rocksteady, and reggae, as Jamaican music evolved. DJing started back with Count Machuki, credited by most as the first person to toast over Jamaican records. It was one of those serendipitous improvised moments of brilliance. He was just fucking around, killing time while the sound system operator Tom the Great Sebastian took a break, just throwing out stuff over the records being played. When the crowd dug it, he went home and started working on his rhymes. "If you dig my jive, you're cool and very much alive, Everybody all round town, Machukis' the reason why I shake it down, When it comes to jive, You can't whip him with no stick."  People went nuts, so in no time others followed suit.

Which brings me to the song "The Tide Is High" by the Paragons, recorded at Duke Reid's studio in 1967. Here's the original version, along with an early U Roy version, toasting over it sans lead vocal. You can hear that a good DJ adds flavor, and U Roy was one of the best. (Just for context, the antiseptic version by Blondie is down there too. They add no flavor.) If you listen to enough U Roy, you'll start to recognize his catch phrases, which made me think of the last one below, "D.J.'s Choice" by Dennis Alcapone. It's a bit of a novelty, in that the first verse name drops about eight or so DJ's, followed by one of their catch phrases. The song actually annoys me, but I'm that way about name dropping in songs. Regardless, it's a  DJ toasting about other DJs, so it's interesting.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
The Paragons - The Tide Is High mp3 at Cubik Musik
U Roy - Tide Is High mp3 at A.Tumblr (?)
Blondie - The Tide Is High mp3 at Evil Vince
Dennis Alcapone - D.J.'s Choice (streaming) at YouTube
Visit:
DJ at Wikipedia
The Tide Is High at Wikipedia
More DJ stuff

Tuesday, June 4, 2013

SIR LORD, COUNT, KING, AND WHO?

Change of gears here. I ran into a Sir Lord Comic cut and had to point you to it. He was an early reggae DJ, back when there were very few, Count Machuki and King Stitt among them. Sir Lord, Count and King. That's a lot of royalty floating around in those names. Then U Roy waltzes in, and ruins the whole regal name streak (though he did record for Duke Reid). Where was I? Oh yeah, Sir Lord Comic. His stuff doesn't pop up online very often, so that's why he's down there. The rest are just a cross section of DJ stuff, reggae DJ stuff (if you don't know the difference here's a wiki thing). Some of it's been here before, but there are a couple other goodies I hadn't seen before, a Big Youth live cut from '74, and a very early U Roy, with the Tommy McCook and the Supersonics (gloriously scratched I might add). 

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
Sir Lord Comic - The Great Wuga Wuga mp3 at Dinosaur Gardens
Count Machuki - Pepper Pot mp3
at Planet Mondo
King Stitt & the Wailing Souls - Whitebread mp3 at Constant Pressure
U Roy - Flashing My Whip mp3 (via DivShare) at Black Gold with Tommy McCook!
U Roy - Runaway Girl mp3 at Tous les jours la grande chose
Scotty - Draw Your Breaks mp3 at La Grand Chose
Dillinger - Cocaine mp3 at Giant Panther
Big Youth - Cool Breeze mp3 at Le Blog de la Grande Chose
Big Youth - Santa Massa Gone Ya (Live) mp3 at Earmilk 
Dennis Alcapone - Cassius Clay mp3 at Reggae Top Site 

Monday, November 19, 2012

BUTTERFLY EFFECT

If you've ever wondered why the hell there's reggae all over this place, along side rock 'n' roll and other seemingly disparate types of music, there's a reason probably only obvious to old punk rockers. For a lot of us geezers, even here in the states, it can be traced back to DJ Don Letts. He worked at the Roxy, a London night club, back in the seventies, spinning records between punk bands.  There was very little punk rock on vinyl at the time, so he turned to the music he knew, and that was reggae. Like punk rock, a lot of it was rebel music, and that loose connection essentially all it took for early UK punk bands to embrace the music. Many became well versed in reggae, even if it wasn't necessarily absorbed into their music. But the influence was there, most notably with the Clash, who covered reggae songs like "Police and Thieves", wrote their own versions ("Guns of Brixton", "White Man in Hammersmith Palais") and recorded with Lee Perry producing.  But the Clash weren't alone. Generation X's "Wild Dub", the B side on their "Wild Youth" single, was a somewhat feeble attempt to bridge the dub gap (before it became commonplace). The Slits, who wholly embraced reggae, brought a whole new low tech/high imagination hybrid to the table. 

Some of the UK bands would mention this person or that, and that's when it the sound really spread in punk circles. For instance, when Johnny Rotten name dropped reggae toaster Dr Alimantado in an interview, UK record sales for Alimantado spiked. But it wasn't limited to the UK for long.  As UK punk zines slowly reached the U.S., a whole other crowd was turned on. Hell, my very first reggae 45, "New Star" by Tapper Zukie, was bought via a recommendation by some long forgotten punk taste maker (Poly Styrene?).  In the second issue of my short lived zine, contributors submitted Top Ten lists. Mine included Tapper Zukie and U Roy records, both of which were bought at the same independent record store that had the hot punk shit.  To put this into period context, it all happened before Bob Marley became a household name around hippie flop houses and college dorms. He was pretty much just another reggae artist. That said, his song, "Punky Reggae Party", celebrated the unlikely alliance, name dropping punky reggae party attendees, starting with his own band name, followed by the Damned, the Jam, the Clash, the Maytals and Dr. Feelgood. (Well intended as it was, Marley, in an slight case of randomized bullshitting, picked a few there that don't quite belong, eh?) The lines that follow the name dropping verse were music to punk ears, "No boring old farts, no boring old farts, no boring old farts, will be there!" Punky reggae party. OK.
  


It's really pretty remarkable when you think of how many people were tuned onto reggae via this very real butterfly effect. Letts himself cites the film The Harder They Come, punk rock, and Bob Marley, in that order, for the rise of reggae. And the whole punk rock part of the equation came about because Don Letts didn't have any punk records. 

Notes:: Letts later began film making, and was a member of Big Audio Dynamite. In  2005, he produced Punk: Attitude, what may be the definitive documentary of punk rock. Really, he gets it right. It's good, and it's authentic (highly recomended). About the music below, it's a smattering of related stuff, all worthwhile hot ass shit. Read the little blurbs for the reasons. I could have hunted for more, but I gotta sew this thing up.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen: 
Bob Marley and the Wailers - Punky Reggae Party mp3 at You Sound Like a Robot 
Bob Marley and the Wailers - Stir It Up mp3 Original JA version 
Bob Marley and the Wailers - Soul Rebel mp3 at Review Stalker Produced by Lee Perry 
Jimmy Cliff - Guns of Brixton mp3 at Groove on Fire Clash cover 
U Roy - 006 mp3 at Groove on Fire Produced by Lee Perry 
Dr. Alimantado - Poison Flour mp3 at Le Blog de la Grande Chose 
Live set: 
The Clash - Live at the Palladium (1979) at Captain's Dead Complete set as a zip and individual songs as mp3s. Good quality soundboard recordings, for those who care. 
Video: 
Don Letts interview at Red Bull Academy "The cultural revolution of two spliffs and one beer, told by the man who unified punk and reggae" (Text version below) 
Visit: 
Don Letts - Interview at Red Bull Academy 
Don Letts at Wikipedia 
Don Letts - Radio show at the BBC

Friday, April 6, 2012

RARE EARLY U ROY


It's scratched, it's dilapidated, it's of questionable appeal to most people, even reggae fiends, but it is U Roy's first record, and because of that, there was no question about it's post-worthiness. For the uninitiated, U Roy was one of the earliest Jamaican DJ/toasters to hit it big. Not the very first, mind you, but the first to chart in Jamaica in rapid succession. Toasting is a particular type of reggae that, as many of you know, eventually hit the US via Jamaican transplant Kool Herc, who was credited with tweaking the DJ method, eventually leading to rap and hip hop.



So here's a few by U Roy, starting with the first and taking a rather sporadic chronological path, through his peak in the mid-seventies, when he went international, and leading a path to a 2002 curiosity that finds him guesting on a cut by Tiken Jah Fakoly from Côte d'Ivoire in West Africa. That particular cut is interesting because the native language in Côte d'Ivoire is French, so you have U Roy on a cut with Fakoly singing part of the song in French. Oui! Oui!

Stop the presses! Here's something else I just found while doing an image search for this post, and, if you're into sound systems and DJs, it's pretty remarkable. Live sound system sets featuring U Roy fronting the King Attorney Hi-Fi in Jamaica, from 1975. The sound ain't the best, but I don't know about you, I sure didn't think I'd ever hear a live set of this vintage with U Roy. The whole rundown of the sets is at Who Cork the Dance, and this particular page also hosts DJ sets by U Brown, Dillinger, Ranking Trevor and others.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
U Roy - Earth's Rightful Ruler mp3 (via DivShare) at Dave's Jukebox
U Roy's first w/intro by Peter Tosh (1970)

U Roy - Your Ace From Outer Space mp3 at Clumsy and Shy (1970)
U Roy - Way Down In South mp3 (via DivShare) at Dave's Jukebox (1972)
U Roy - Runaway Girl mp3 at Tous les jours la grande chose (1975)
U Roy - Chalice in the Palace mp3 (via DivShare) at Flea Market Funk (1975)
U-Roy - Natty Rebel mp3 at Tous les jours la grande chose (1976)
Tiken Jah Fakoly w/U Roy - Justice mp3 at Flapy (?) (2002)
The live DJ sets:
The King Attorney Hi-Fi sets at Who Corked the Dance King Attorney hosts U Roy, Dillinger, Ranking Trevor and others. Click on "Reup"," and it'll take you to MediaFire, which is a bit of a pain, but they're fast downloads, and really, you may never again have the opportunity to hear U Roy on the fly in the seventies.

Friday, January 28, 2011

A BIG OL' MESS


Here's a backlog of neat stuff from the past few days, none really related, but judging by the "Current Boss 10" list (top left of your screen) on this particular night, that doesn't seem to bother anyone.

First up is a Dick Dale video, from 1963, a movie called "A Swinging Affair." It's really awesome. I had a laugh last night trying to imagine what would be going on in the heads of his band members. They all look they're in a daze, like zombies. And what about the chick (and I do mean "chick") in the blond bouffant. By the end of the song, she's ready to pounce on the unsuspecting King of the Surf Guitar. The whole time her dance partner seems to be trying to talk her down. Reel her in, brother! Dig it!



Next is a great jiggle club number at Diddy Wah, Ernie Fields doing "Workin' Out." I swear, just about everything Adam (the host there) puts up is right up my alley. (The man has taste!) And here, from A Barrel of Nails, is Sister Rosetta Tharpe. A nice downshift. Ooh, here's a good one: the Bamboos doing an instrumental cover of THE Tighten Up (the Archie Bell & the Drells one), courtesy of Rollo & Grady. Soul Sides has U Roy and Hopeton Lewis's "Tom Drunk," and an earlier Stranger Cole cover of the Guess Who's "These Eyes" (retitled "Crying Every Night"), using the same rhythm.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Ernie Fields - Workin' Out mp3 at Diddy Wah
Sister Rosetta Tharpe - Strange Things Happening Every Day mp3 at A Barrel of Nails
The Bamboos - Tighten Up mp3 at Rollo & Grady.
U Roy & Hopeton Lewis- Tom Drunk mp3 at Soul Sides
Stranger Cole - Crying Every Night mp3 at Soul Sides

Tuesday, October 19, 2010

THE ORIGINATOR


U Roy's been at it for a long time. Since 1969, he has been a constant in reggae. With most of his contemporaries long retired, he continues to record and perform on a regular basis. He, of course, is the epitome of a reggae DJ/toaster. So much so that, despite not being the first, he's often referred to as "The Originator" (a title that he shrugs off).

He was born Ewart Beckford in 1942 (U Roy came from a young relative's mispronunciation of his name). He started out just introducing the records at Jamaican sound systems (King Tubby's among them). After a couple years of performing, John Holt brought him to the attention of Duke Reid, former cop turned producer and label owner (Treasure Isle). U Roy quickly hit his stride, and in 69-70, he was the man. At one point, he had four of the top five records on the charts in Jamaica. After that, he just kept going, and going.

Here is a very awesome, very early clip. Surprisingly good guality too:

Below are a few songs, representing different periods in his career. The first "Dynamic Fashion Way," besides having an awesome title, is among his very first. The second is from the big breakthrough "Version Galore" LP, right about when he had all the hits. The next two are both from the landmark "Dread In a Babylon" LP, from '75. The final two are newish, and have a lot electronic gizmos going on. He's strayed a little, and on "Lovers Rock" I can deal. But, with "Luv n' Live," despite enjoying the comfort of hearing his voice, I gotta pass. There's just too much tweaking and not enough of U Roy.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Early:
U Roy - Dynamic Fashion Way mp3 at Motel de Moka
U Roy - Your Ace From Outer Space mp3 at Clumsy and Shy
Mid 70's:
U Roy - Runaway Girl mp3 at Tous les jours la grande chose
U Roy - Chalice in the Palace mp3 (via DivShare) at Flea Market Funk
Current:
U Roy (with Love Trio) - Lovers Rock mp3 at Augasm
U Roy (with Dub Gabriel) - Luv n' Liv (remix) mp3 at Music2Ten
Read:

U Roy bio at Answers.com
U Roy at MySpace
U-Roy Wakes The Town (profile) at the Gleaner (Jamaica)