Saturday, October 27, 2007

DICK DALE PEEL SESSIONS


Speaking of Dick Dale (see last post below), here's some Peel Sessions that may or may not have been released. Recorded in 2002, they're a little meatier than his older output, but the ol' cuss still has it. Now if he'd only lose the pony tail and the headband that he's been sporting in recent years, we could relax a little bit over here.

Dick Dale: Avalanche (Peel session), Jesse (Peel session), Gremmie 02 (Peel session), Surf Trip (Peel session) at the Runout Groove
When in Ocean Beach, eat at Hodad's

Friday, October 26, 2007

Lights out, light up.


Troll the MP3 blogs enough and you'll run into posts about Mulatu Astatke, often referred to as the father of Ethio-jazz (or Ethiopian jazz). Though the jazz tag is really a little misleading, his music is indefinably other-worldly. Without knowing anything about him, it would be hard to peg the orgin or era of the sounds that you're hearing.

Much like Quentin Tarintino's serendipitous inclusion of Dick Dale and other surf music in Pulp Fiction's soundtrack, Astatke's music has enjoyed a slew of new attention from the inclusion on the soundtrack to Jim Jarmusch's Broken Flowers. If you haven't seen the film, it is highly recommended that you listen first context-free.

Saturday, August 25, 2007

Rehab, Schmeehab...


Oh, the injustice. The guys at my local record store don't know who Sharon Jones is, and Amy Winehouse is in Target. It begs the familiar rhetorical question: If Amy Winehouse and Sharon Jones got into a fight, who would win?
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Answer: Trick question! Lemmy is God!...oh, I mean Sharon Jones would beat the snot out of Winehouse.
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Dig the real deal, Soul Sister #1, Sharon Jones and the Dap Kings:
100 Days, 1oo Nights at Earfuzz, Loaded to the Gills, and Little Mike's
Got a Thing on My Mind at Little Mike's
This Land is Your Land at Little Mike's
Just Dropped in to See What Condition My Condition Was In at Cable and Tweed
Sharon Jones at Daptone Records

Sunday, July 15, 2007

Stop Listening To Bob Marley


In the years preceeding Marleymania, more than a few reggae recommendations came stateside from UK punk rockers (via the music press), and additional exploration quickly spread through their US counterparts. But before all that, the soundtrack to The Harder They Come had already introduced reggae neophytes to the Maytals, the Slickers, the Heptones, Scotty, Jimmy Cliff and others. And, in hindsight, by featuring multiple artists it was a far better set of training wheels than any single artist, Bob Marley or otherwise, could provide.
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Chris Blackwell fucked that right up. The first release on his Island Records had been Millie Small's My Boy Lollipop. It became an unlikely hit, charting even the US. Convinced that Bob Marley could be the big international breakthrough artist he'd been waiting for, he took Marley's bare-bones Jamaican masters to England and laid overdubs of British session musicians over them. He then put the bank on Marley.
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It was a move taken right out of UK's Trojan Records' playbook. Trojan had already made their mark a few years earlier, disinfecting scores of reggae songs to make them more palatable to English ears. But Trojan's approach wasn't nearly as narrow in scope, distributing promotion evenly among dozens of reggae artists.
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If you grew up in the Marley era. or are otherwise on the fence about reggae, download these cuts and let them simmer. If the only reggae that you've really heard is Bob Marley, stop listening to Bob Marley. There's far more adventurous stuff out there.
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Start From Scratch Reggae Starter Kit:
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From The Harder They Come Soundtrack:
The Maytals - Pressure Drop MP3 [1]
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Originals of songs covered famously by other bands:
Daddy Livingstone -A Message to You Rudie MP3 (covered by the Specials) [2]
Willie Williams - Armagideon Time MP3 (covered by the Clash) [2]
The Paragons - The Tide is High MP3 (covered bt Blondie) [2]
Junior Murvin - Police and Thieves MP3 (covered by the Clash)[2].
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BONUS: An excellent Trojan cut:
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MP3 Hosts:

Thursday, July 12, 2007

Five O'Clock World


If their bio on Subpop's site is to be believed, Pissed Jeans are office zombies by day, wild men by night. It goes on about the "straight" world they inhabit during the day (one as an insurance claims adjuster another as an account manager), inferring that their co-workers are clueless about their night job as a band. Whether or not it was even relevant, but intrigued by their anti-social band name, I skipped right to the download.
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It's a pretty mean racket. Imagine My War-era Greg Ginn (playing uncharacteristically sloppy), sitting in with Flipper, with Darby Crash singing. Derivative as hell, but considering that the source material is a few decades old, and that they do seem to have a good grasp on it, you have to give the the benefit of the doubt. After all, even if only for this one song, they made dirty noisy sloppy post-hardcore sludge that begs to be played loud. And it sticks in your head. That is a good thing. They should quit their day jobs.
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Interview @ Blastitude.com

Sunday, July 8, 2007

WHAT WE DO WAS SECRET


Photo: John Denny (Weirdos), Darby Crash (Germs) and Tomata du Plenty (Screamers) singing back-up vocals for Black Randy and the Metrosquad at the Masque, ca 1978. Original full size photo by Douglas Cavanaugh, can be found on Kristian Hoffman's site here.

The context in which the 77-78 era of California punk rock is experienced is everything. A lot of online sources get things a little skewed, some do a little research and get it right, and some "I was there" sites give interesting first-hand accounts.

One thing that needs to be remembered is, first and foremost, it was an full-on DIY phenomenon. People with little or no experience put out records and fanzines, and they were every bit as essential to the scenes as the bands were. There were no web pages, no MySpace, no Pro Tools, no mp3's or YouTube. Just scrappy kids that couldn't take the crap they were being fed any longer. Take DIY out of the equation, add thirty years and try not to choke on the words "punk's not dead."

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
The Skulls-Victims (What Records) [2]
5. Something I Learned Today

Compilations of Dangerhouse bands (and two Weirdos comps) are available at
Frontier Records.
Recommended reading: "We Got the Neutron Bomb" by Brendan Mullen and Mark Spitz

Wednesday, July 4, 2007

It Belongs to Us Dickweed


Fuck it, even George Bush isn't going to screw me out of this one.

Some music gets me off in a completely different way than music I listen to day in and day out. It's like hog dogs on a stick, or fried chicken: I absolutely love them, but indulging more than a couple times a year isn't a good idea. They're treats.

Circus music is like that. The San Diego State Aztec Fight Song is like that (don't ask, I've have no clue. I didn't even go to school there). Sky Saxon's voice is kind of like that. And, once a year, Stars and Stripes Forever by John Phllip Sousa is like that. I don't know why. It's one weird quirk.

I'm not going to let George Bush take that away.

Stars and Stripes Forever at Call Me Classical

Have a seat George...


"George, it's never a happy occasion to have these talks, and I think you know what's coming. We've given you every opportunity to improve your attitude, and your work habits. We've reminded you of your job description and let you know over and over again what we expect from you. We've had this talk repeatedly and things don't seem to be improving and, frankly, we don't think they will. It's never easy when it comes to this but, George, we feel it's best that you part company with us, find another position that would be more suited to your range of skills. We wish you the best of luck with whatever you choose to do at your next place of employment."
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Enough is enough.
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Links:
Let's Impeach the President by Neil Young at Inflight At Night
I Accuse You Mr. Bush by Keith Olbermann text at CommonDreams.org
I Accuse You Mr. Bush video commentary at MSNBC.com
Illustration by Shepard Fairey

Saturday, June 30, 2007

Spacemen and Song Poems


After browsing through the incredible, ofttimes oddball, Waxidermy site, I found myself wandering aimlessly all over the internet. Good luck following the long-winded tangents that follow. (It starts with a nutty song, passes through alien abducted artist, past a pot smoking ball-player and back to vintage rock n' roll roots.) If you want to skip to the MP3 links, they're at the bottom of the post.

It started at Waxidermy, where I found a few song-poems. For the uninitiated, song-poems are songs created around poems or lyrics that people would send in with a fee and in return receive a recording of their work made into a song by complete strangers, usually musicians trying to eek out a living making music by whatever means necessary.

The particular song-poem that wound me up was "Space Scene," a song so brilliantly naive that it might as well be performed verbatim on Saturday Night Live. Sample lyric: "I'm a spaceman, zippin' and-a zappin, here and there, dancin' my life away." (Even if you're not into oddball stuff, consider throwing your friend into a pool of confusion by sticking it in the middle of a mix CD.) This is where I should have stopped, but I didn't.

Next stop: The Spaceman of Ocean Beach. In searching for a generic spaceman picture to accompany the Space Scene link, I ran into a whole YouTube page dedicated to Clint Cary, better known as the Spaceman of Ocean Beach, and his friend Bob Oaks. Spaceman, a painter, came to Ocean Beach (in San Diego) in the early sixties. He claimed to have met aliens from a planet called Rillispore, and that they essentially gave him the responsibility of assigning seats for a mankind-saving journey back to their planet.

If you ever met Spaceman, you were likely to be assigned a mysterious number, given to ensure passage on the flight to Rillispore. XIB/2 was Spaceman's number, and others were doled out in numerical order. (XIB/1, in case you're wondering, was some higher power's number. Why a higher power would require a ride on a spaceship is anyone's guess.)

Bob Oaks, also in the clips, was one of his best friends, a jazz musician who lived his last 30-odd years in the big cottage on the north side of the OB pier. Oaks met Spaceman when, as a favor for a friend, he picked him up from the airport upon his first arrival. They remained close friends until Spaceman's death in 1993.

Oaks is credited with tempering the community's view of Spaceman, preventing him from being seen as a total crackpot. While Spaceman's life was at times disfunctional, and his stories literally unbelievable, he was smart, well spoken and harmless (at least in his later years).

If you've spent much time in O.B.,
the Spaceman/Oaks footage on YouTube should be considered required viewing as it provides some insight into the orgins of Ocean Beach's "anything goes" reputation. And taken as a whole, the clips paint a wonderful picture of friendship between two aging artistic eccentrics. (Here's another little blurb, from Citybeat's site.)

Next stop: Bill "Spaceman" Lee. Still needing an image of a spaceman, any spaceman, I happened upon a site for a documentary about Bill "Spaceman" Lee, a former Red Sox pitcher who was, in his day, the best known pothead in baseball. He's always been one of my favorite ball players. (I have a penchant for the oddballs, especially in baseball.) His observations about baseball, and life in general, went way beyond those of a normal ball player. At times insightful, often out there and almost always hilarious. The guy had brainy swagger.

"I think about the cosmic snowball theory. A few million years from now the sun will burn out and lose its gravitational pull. The earth will turn into a giant snowball and be hurled through space. When that happens it won't matter if I get this guy out." - Bill Lee

As it turns out, after being pretty much blackballed from the major leagues, Lee became a baseball mercenary, playing anywhere in any league that would hire him, including Russia and Cuba. You can view the trailer of the documentary here, read an interview here, and read more about him here. And don't miss the excellent quotes at Baseball Almanac.

SNAP! Shit, now I have one weird spaceman song, two unrelated spaceman sites and zero images. Again I search, this time for song poems...anything but spaceman. Now I end up on the American Song-Poem Music Archives, an exhaustivelly annotated overview of the genre.

Here comes the crafty seque back to MP3 blogs: The American Song-Poem Music Archives site is run by Phil Milstein, the same guy that does the highly recommended Probe is Turning-On the People. His latest post there (Session 157) is great, ten-plus downloads of songs that inspired early rock n' roll artists. Plus, there's keepers all over the site.

If you actually read all of that, my hat's off to you. Thanks for indulging me. I was just too stoked to find sites about two of my favorite square pegs to not go off.

Ralph Lowe's "Space Scene" at Waxidermy
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(Photo above is the Ocean Beach version of Spaceman in the mid-sixties. I gave up on the generic image)

Wednesday, June 20, 2007

BIG FAT THANK YOU


Barstool Mountain's first post from the Top 100 Drinking Songs is "A Six Pack to Go" by Hank Thompson. I think he posted it early as a result of my last post, where I all but begged for it. Someone in Chicago buy the man a beer and send me the bill.

"A Six Pack to Go" is a near perfect drinking song. It has the requisite twang, pedal steel, easy-to-remember lyrics and just a dash of remorse.

Saturday, June 16, 2007

Charges of Voter Fraud Not Yet Filed


I used to drink a lot. A lot. I drank nightly for roughly 10-15 years. And it wasn't really what you'd call casual drinking. A twelve pack a night was not unusual, it was the norm. At my worst, I closed my favorite watering hole every night for two weeks straight, unintentionably. (I mean, really, if a streak was intended, I'd still be there at last call tonight.) It is with an abundance of drinking experiences, combined with a lifelong obsession with music, that I feel qualified to critique a list of "Top 100 Drinking Songs" posted on the blog Barstool Mountain.

Let me start by saying that I don't mean to look a gift horse in the face. Overall, the list is excellent. If you like drinking songs (and you know you do), then you really should check it out. He's going to be posting mp3s of the songs periodically, and there's some real gems in there. (Digitized "Six Pack to Go"!?! I've got my finger on the "Save as" button now!), But there is one thing...

Wait, before I go further I should add that I can't really fault the host. The list, originally posted on his other blog, Big Rock Candy Mountain, was culled from a vote, by whom I'm not sure (and don't really care). Apparently even some of the his favorites missed the cut. So, he's not to blame for the travesty of which I'm about to inform you. Please, steady yourself. I really don't want to be the one telling you this. But, fraught with worried caution, I must.

Jimmy Buffet is on the list.

Worse, Gang Green is not.

Contrast and compare:
Buffet's "Margaritaville": "Blew out my flip flop, stepped on a pop top"
Gang Green's "Alcohol": "I'd rather drink than fuck!"

Okay, you claim, I'm citing unrepresenative lyrics, selected to support my argument. Alright then, let's use the harshest lyrics from Margaritaville: "Wasted away again in Margaritaville"?!? That's it? That's all you've got? No goddamn self-respecting (or self-loathing for that matter) drunk is going to sing about some fantasy place called "Margaritaville."

"Free Beer City" maybe, but "Margaritaville"?!? I don't think so. Poseur.

Gang Green, on the other hand, seem focused. They've dedicated practically their whole existence to drinking. From the omni-present Budweiser logos, to their succinct nü-Foster Brooks lyrics, just about every thing they've touched has drink stink on it. And, their lyric, "I'd rather drink than fuck!"? Hard to find a more declarative drinking statement.


Gang Green's MySpace page with four downloads:

Friday, June 8, 2007

Stop. I'm just finding this out.

On September 19, Moby played with Flipper. Yet the earth continues to rotate.
Check your disaster kits now.

Wednesday, June 6, 2007

"Look, I'm John Denny!"


Visit punk oriented mp3 blogs enough and you'll eventually run across Black Randy downloads. They'll come and go, and it's often the same songs. I've always put off posting the links, until now. I thought I lost "Give It Up or Turn It Loose" for good, and I panicked. Eventually I found my way back to the site that I originally downloaded it from a year ago, and ran across one of my comments on the page with the post. It was about a night in a hotel room with Middle Class, Alice Bag and Black Randy (after a San Diego show).
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Middle Class had stored their equipment that night in my Mom's garage, and I went with them, Black Randy and Alice Bag to a hotel on Rosecrans to whoop it up. I've always had a few vivid mental snapshots of that night. Alice Bag playing the Bay City Rollers on a portable cassette, Middle Class sitting on the edge of the bed, and the most memorable, of Black Randy with a lampshade on his head saying "Look, I'm John Denny!" [John Denny, as in the singer for the Weirdos.]
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After re-reading my comment from a year ago, I wondered how accurately I remembered the incident. I thought I remembered it clearly, but it was about 1978 or '79. Regardless, I proceeded to download "Give It Up..." and was preparing to post a link when I decided to search for an image of Black Randy that wasn't already all over the web.
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On the second page of the search results, I hit paydirt. This wasn't just an uncommon Black Randy photo. This was one of him replete with a lampshade on his head. In a case of mega-deja-fookin'-vu, the pose was exactly as the one in my mental snapshot, with one hand holding up the edge of the lampshade. Too weird.
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I'm thinking this must be a gag that he did all the time back then. So, I click on the photo. It takes me to Alice Bag's online photo album at Flickr. The photo was from San Diego, on a trip with Middle Class. (I'm in utter amazement at what can be found online.) Upon closer inspection he's holding the San Diego phone book. That night he had called for cab for me (and gave me cab fare) to get back to my Mom's. Even weirder. What are the chances? (Note: Besides the lampshade, the John Denny "wardrobe" included the clear plastic cover of the lampshade as a tube top. I had forgotten that part.)
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This is not to illustrate that I was in some sort of hip inner circle. I barely knew Middle Class and had never met Alice Bag or Black Randy before that night. No, this is to illustrate that I can actually remember something.
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And I've written this embarrassingly long thing just to tell you this: download "Give It Up and Turn It Loose" before it's gone for good. Random, yes, and technically it's not a Black Randy song. It's an instrumental by the Metrosquad, his ragtag band of ersatz J.B.'s. Think about that: a ragtag version of James Brown's J.B.'s. Playing trashy punk funk. What are you waiting for?

Last Days of Man on Earth has all 13 cuts, including Give It Up or Turn It Loose, from Black Randy's Past the Dust, I Think I'm Bowie, each posted individually. Give It Up.
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Monday, June 4, 2007

I Don't Want to Know Anything About Al Garcia & the Rhythm Kings


Spread the Good Word usually has some good stuff, so when they take requests for reposts of old mp3s, it's pretty certain that there will be some keepers. I haven't listened to all twelve reposts yet, but I snagged a few before they were even halfway through playing.

I am quite certain Al Garcia and the Rhythm Kings were hitting it before they recorded Exotic. I don't know anything about them, and I don't want to know anything about them. All I know is that they they make music sound drunk. At least on this song. And that's all I need to know. It is a spectacular acheivement.

Saturday, May 26, 2007

In Your Face: The Woman Who Wore Out Miles Davis


Miles Davis: "Betty was too young and too wild for the things I expected from a woman...Betty was a free spirit - talented as a motherfucker...she was raunchy and all that kind of shit, all sex...I just got tired of it."
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Betty Davis: "The music is physical, and it's about sex. In the sixties everyone was into dope and staying high. Now it's sex. Man and woman. My lyrics go right to it. I don't beat around the bush. It's hip to eat pussy these days. Really hip."
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Phew! Really. A lesson in How Reissues Can Reap Long Overdue Respect, Betty Davis is finally getting credit as a trailblazer, not only as a woman (or a black woman, or an overtly sexual black woman) but as a musician who called her own shots and had a significant influence on other musicians.
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Married for a short time to Miles Davis, she helped revamp his career, both musically and stylistically. Among her collaborators, friends and lovers were Jimi Hendrix, Sly Stone, Mark Bolan and the Chambers Brothers. She wrote her own songs, assembled her own bands and, for part of her career, produced her own records.
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Her music was sexy, but it wasn't sultry. It was hard and raw. She wasn't your typical soul songstress or as dance-ably funky as her contemporaries. What set her apart is that she didn't care. She was in your face.
Read:
She Was A Big Freak at The Stranger
Liberated Funk, an excellent lengthy bio in Wax Poetics (newsstand only, no online content)

Thursday, May 24, 2007

Forget All You Know About Dave "Baby" Cortez



It's probably not much anyway. Most who know of him, know only of his one big hit, The Happy Organ. Forget that song. This is a whole other Cortez, wilder, with a crazy beat. Hopped up on goofballs no doubt.

Dave "Baby" Cortez - Hurricane at Funky16Corners

Q: Are We Not Okay to Like Yet?

Continuing the WTF trend (of the Kraftwerk cover below), an albums worth of rare early ('74-'77) and unreleased Devo tracks.

A: Not If You're Party to This

Monday, May 21, 2007

World Music, Trastos style

A Japanese band doing a cover of a song by a German band.
Close enough.
Buffalo Daughter - Autobahn at Bury Me Not

Led Steppenmountain



Four free live downloads at the Black Keys myspace page. (The links may be temperamental, so two of the cuts were also posted here.)

Sunday, May 20, 2007

I knew Kip Tyler and, Mr. Interior, you're no Kip Tyler

On first listen, Kip Tyler's "She's My Witch" sounds an awful lot like a song the Cramps would have covered. Maybe they have. Regardless, their shtick is the same. And Tyler's shtick seems to be copping Link Wray's. You know, kinda sinister sounding.
Check the flip and, lo and behold, it's a song called Rumble Rock, a rather tame rumble-themed song that pales in comparison to Wray's Rumble, which of course is the yardstick by which all rumble matter is measured.

Kip Tyler photo from Wang Dang Dula