Saturday, January 5, 2013

A FEW FROM THE FUNKY FAMILY

There could be a genre unto itself, "Anything that James Brown so much as sniffed". Everything that came under the umbrella of James Brown's Funky People (an excellent compilation series by the way) has the indelible stamp of the GFOS. And there is a lot of it. After posting the Marva Whitney thing a couple days ago, I've been on a JB associated bender. So here's another one from her, Brown's iconic "Funky Drummer" (from the highly recommended, bordering on essential In the Jungle Groove compilation) and a few others. It's surprisingly hard to find mp3s of much of his extended funky family floating around, so after an hour of digging, I'll have to leave you with these, all bona fide jams as they are. You would do yourself well to pick up some some of those James Brown's Funky People compilations, the J.B.'s Pass the Peas compilation, or In the Jungle Groove, just for starters. He was the template.

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Listen:
Marva Whitney -Unwind Yourself mp3 at Snuhthing Anything 
James Brown - Funky Drummer mp3 at Isoamerica
The JB's - Givin' Up Food For Funk mp3 at Smiles Davis 
James Brown & the J.B.'s - Doing It To Death mp3 at Frederator
Lyn Collins - Think (About It) mp3 at Aerial Noise

Thursday, January 3, 2013

GRIEVE AND GROOVE

Just a quick one because, just I'd suspected he would, Larry Grogan at Funky 16 Corners gave Fontella Bass the send off she deserved. This song he posted was "Don't Mess Up a Good Thing", recorded with Bobby McClure in 1965. I'd always liked the song, but had only heard a version by Greg Allman back in the seventies, and Carla and Rufus Thomas' version. The Bass/McClure version is superior, a real gas, and Larry's write-up is icing on the cake.

I also ran into a post at Bedazzled, about Bass and Marva Whitney, who also passed away just weeks ago.  There's four songs, two by each, and a great written thing over there. Check out Whitney's "It's My Thing (You Can't Tell Me Who to Sock It To)" (once there, right click to save). I could write a whole post about how awesome it is. In fact, I probably will.

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Listen:
Fontella Bass and Bobby McClure - Don't Mess Up a Good Thing mp3 at Funky 16 Corners Go there to get it.
Fontella Bass - My Good Loving mp3 at Bedazzled 
Marva Whitney - It's My Thing (You Can't Tell Me Who to Sock It To) mp3 at Bedazzled
Carla and Rufus Thomas - Don't Mess Up a Good Thing mp3 at The Soul Girl

Tuesday, January 1, 2013

LOOKIN' SHARP GUYS

That's Curtis Knight and the Squires above, with a spit shined Jimi Hendrix (then Jimmy James) on the left. The pre-fame Hendrix only played with him for a short time, but if he hadn't, chances are that most people would never have heard of Knight. It's not that Knight necessarily exploited their association (though it could be argued that he did), it was a producer named Ed Chalpin that did the major exploiting.  Chalpin had signed Hendrix as a backing musician for Knight, and even though Knight's records didn't sell well initially, after Hendrix died Chalpin cashed in. He raided the tapes and released just about everything they recorded, much of it for the first time, credited to Curtis Knight with Jimi Hendrix. But we're not here to talk about blood sucking opportunists.

The song that really got me going is "Fancy Meeting You Here", which doesn't even have Hendrix on it. It was recorded by Knight a few years after they parted ways, but I dig it for a totally unrelated reason. You might not hear it, but the first band I thought of when I listen to it was the Velvet Underground. Then, when the vocals kick in, it sounds like Knight's almost trying to imitate Hendrix's phrasing. So, if you really give it some wiggle room, you could almost imagine it as a Hendrix/Velvets collaboration.  Yes, of course that's a stretch. That's what we do here.

The earlier cut, "Oddball", is a Knight/Hendrix thing, and what I dig is that Hendrix isn't playing the lead, he's playing a secondary role, and whatever it is he's playing is so distorted it almost sounds like a fuzzed out bass, but the Hendrix licks are there, there's no mistaking that. The "Voodoo Woman" thing is really just to give you an idea of what Knight's voice sounds like when he's not aping Hendrix. It's actually pretty swanky.

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Listen:
Curtis Kinight - Fancy Meeting You Here mp3 (via DivShare) at Studio del Sonido Esnob 
Curtis Knight with Jimi Hendrix - Oddbball mp3 at Probe is Turning-On the People 
Curtis Knight - Voodoo Woman mp3 at Exotica Project 
Curtis Knight - Lost Memory mp3 at Studio del Sonido Esnob 
Visit: 
Curtis Knight at Wikipedia

Monday, December 31, 2012

ATTN: PARTY PLANNING COMMITTEE

Yikes! I know this is last minute, but hopefully you've already made your run for libations and noise makers. (Whatever happened to going out on the front lawn with pots and pans anyways?) Here's a couple mixes, different in scope but both party worthy.

The first is from Funky 16 Corners, and it's a Best of sort of thing, consisting of Larry Grogan's favorites out of all of his 2012 posts. The man has taste, and he was on a bit of a roll this past year, so put that Guy Lombardo away. It's high time for ass shaking. Speaking of ass shaking, Rock 'n' Soul Ichiban has another instrumental strip tease type mix, this one called Exotique Shakers. That one might be good after midnight when all the squares start packing it in. You do know that that's when the party really begins, right?

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Listen:
Funky 16 Corners - 2012 Year In Review Twenty song mix, funk, soul and all points between.
Exotique Shakers at Rock 'n' Soul Ichiban Thirty one gyrating jaw dropping bump 'n' grinders.

Saturday, December 29, 2012

CASANOVA WHO?

Leiber and Stoller could not possibly have imagined a version of their "Hound Dog" as Ruby Andrews did it. It sounds as if she accepted a challenge to take a well known rock 'n' roll song and give it an Isaac Hayes type treatment. But you know Hayes wasn't involved, because the thing is only about three and a half minutes long. If Hayes had been at the board it would have been one of his ten minute things, layered with all sorts of strings and shit (not that, in his case, it's a bad thing). Here, it's her vocals, horns and restrained wah-wah that drive it. And her voice is something to behold, sort of like Big Mama Thornton doing Betty Davis, if that makes any sense. Nothing like her "Casanova" from just a few years earlier. It kind of reminds me of the Supremes' treatment of "Come Together". I dig these early seventies things, where soul singers stepped it up a bit instead of relying on their well known earlier style. You know those Northern Soul types probably hated this stuff.

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Listen:
Ruby Andrews - Hound Dog mp3 at De Discos y Monstruos
Ruby Andrews - Casanova mp3 at The Love Unlimited 
The Supremes - Come Together mp3 (via Box.com) at We Are the Beat
Isaac Hayes - Walk On By mp3 at Louder Soft 
Visit: 
Ruby Andrews at Wikipedia

Thursday, December 27, 2012

HER NAME IS FONTELLA BASS

Twenty years ago I had a girlfriend named Lulu, who moved in with me within weeks of our first "date" (a day trip to Tijuana). She was from Laredo, Texas, and came from a very traditional Mexican family. What musical tastes we shared were limited to XPRS type oldies, in other words the sort of oldies that lowriders might listen to (XPRS was a station that transmitted from Mexico and had a far reaching signal due to looser regulations south of the border). One night, early in our relationship, when "Rescue Me" was playing she asked me who it was, and I told her that it was Fontella Bass. 



In the beginning, I thought Lulu was the one. She was incredibly gifted artist, she loved kids, was always up for anything, and not only tolerated the rag tag group of friends that I hung out with, but actually embraced them as her own. I was smitten. But, roughly a year and a half later after she moved in, she broke up with me. I was a mess. Then she decided to move to L.A., and as any pining ex in denial would, I offered to drive her and her belongings up there, still hoping that somehow she might change her mind. On the way up, "Rescue Me" came on the radio, and she turned it up, saying "Ooh! Fontella Bass!" I remember thinking at the time that if nothing else came from our relationship, at least she now knew who Fontella Bass was.


Discotheque scene from Les Stances a Sophie

All of that came flooding back today when I heard that Fontella Bass had died. The news report that I heard said something like "You may not know her name, but you know her song..."  and the first thing I thought of is "Lulu knows her name!" So here's that one and an incredible cut that she did just a few years later with the free jazz outfit Art Ensemble of Chicago. It's from the soundtrack of the French film Les Stances a Sophie, and if all you know is "Rescue Me", it's worth hearing her voice in a different context.

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Listen:
Art Ensemble of Chicago w/Fontella Bass - Theme de Yoyo mp3 at Monkey.org (?)
Fontella Bass - Rescue Me mp3 at Counter Clockwise

Wednesday, December 26, 2012

THIS SWINGS, BABY

Okay, Jimmy Smith doing the theme from the Munsters. Hell yeah. If that isn't something that gets you all worked up, take a pass. I take that back.  Check out the host, De Discos y Monstruos, regardless. I ran into it after clicking around the blogroll on the Hound Blog, and if you know the Hound, you know that anything he links to must have something going on, and De Discos y Monstruos sure as shit does. The bulk of the stuff that I browsed through was definitely of interest to anyone that doesn't have the wherewithal to do their own dollar bin digs. A lot of late fifties through the mid sixties obscure instrumentals and vocal numbers. Very little in the way of regular rock 'n' roll, which makes the most recent post of Thin Lizzy seem all the more curious. But don't let that shake you. That site is deep with goodies.

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Listen:
Jimmy Smith - Theme From the Munsters mp3 at De Discos y Monstruos
Bookmark it!
De Discos y Monstruos

Monday, December 24, 2012

TAIWAN ON

With the possible exception of the guy on the far right, all of the band members on the record sleeve above are posed in some weird position, have some sort of creepy deadpan look on their face, or both. The record sleeve alone would be enough. The fact that this Taiwanese instrumental band calls itself Blue Star Chorus just gives it a bit more weirdo panache. This is my kinda Christmas record. The music's pretty good too. One of many goodies hidden in the gazillion posts at Radiodiffusion International. How about a sitar instrumental version of "Santa Claus is Coming to Town". The one below, by Jayram Achary, is about as unauthentic as you can get for a sitar record from India. It sounds like someone without the proper resources was told to make an Esquivel-like Christmas record, "And make sure you use that sitar! You're from India, for chrissakes!"

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Listen:
Blue Star Chorus - Silent Night at Radiodiffusion International Go there to get it. There's one more song and some good reading.
Jayran Achary - Santa Clause Is Coming to Town mp3 at Radiodiffusion International Dittos comments above. 
More international Christmas posts at Radiodiffusion Internationals 
Thank you J.R. Williams for the tip.

WHADDYA MEAN, NO MISTLETOE?

I saw a thing on Satan on the History channel yesterday and, let me tell you, he sounds like one chump dude. He did all sorts of bad shit, and for the life of me, I don't know why someone would be into him. He's a bit of a clown, really. But, I ran into two songs that fit nicely together in that they both name drop the burn out in a Christmas song. Blasphemy to some I've no doubt, but really, if you were religious, would a song make you switch sides? 

The first one is James Chance's "Christmast With Satan" and it's fairly typical jerky no wave jazz that takes a full minute or two to get going, but it's about ten minutes long so you have a good eight minutes of Chance ripping Christmas licks here and there. The other song by Spinal Tap, "Christmas With the Devil" (addressing him by his street name) is their trademark mildly humorous fake metal crap. Can you imagine Chance, going to Satan's Christmas party expecting to see it filled with aging NY hipsters in his crowd, and ending up at a party hanging with Spinal Tap. "Shit, this really is hell..."

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Listen:
James Chance - Christmas With Satan mp3 at For the Sake of the Song
Spinal Tap - Christmas With the Devil mp3 at Side One Track One

Saturday, December 22, 2012

YOU CAN WRAP TOMORROW

Holy shit. I forgot how incredible Sir Shambling's Deep Soul Heaven is. If you haven't been there, and you're into soul music of the slow and heartfelt variety, budget some time, a lot of it. There's so much obscure soul represented, with background info and in many cases mp3s, that you might as well bookmark it.  Think I'm kidding? Take a look at his artist index here. See what I mean? Holy shit, right?

One of his recent posts is about Caribbean soul music, and it features a few artists you might know from their reggae output. But this is soul music, and hearing Joe Higgs, the Wailers, the Maytals, Alton Ellis and others singing soul back-to-back will remind you that there were a lot of quality pipes in reggae.

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Listen:
Jimmy Cliff - Hard Road to Travel mp3 at Sir Shambling's
The Maytals - It's No Use mp3 at Sir Shambling's
Smokey 007 - Please Don't Make Me Cry mp3 at Sir Shambling's
17 more songs at Sir Shambling's Deep Soul Heaven
Note: The download speed is slow, but all of them are worth it. Chill.

Friday, December 21, 2012

DARLENE LOVE ALERT: TONIGHT!

Tonight's the night that Darlene Love will be on Letterman, for the 26th consecutive year, singing "Christmas, (Baby Please Come Home)." Think about that, for twenty six years she's appeared on Letterman's last show before Christmas, through network changes, time slot changes, and everything else. There's a number of reasons why it's special. First and foremost is that is the closest you or I will ever be to seeing a Phil Spector produced classic, done up live in all it's glory. They pull out all the stops; strings, brass section, choir, bells, the whole nine yards. And, to these semi-trained ears, it sounds like they're using Spector's original charts as well. As you can imagine, after all those years, it's pretty well rehearsed. (I went to the trouble of playing videos of a couple different years performances simultaneously, and they synched up almost perfectly. They have it down.) In short, the whole thing is three and a half minutes of cynicism busting pop perfection.

Love had a string of Spector produced hits in the sixties, some with the Blossoms, and some without lead vocal credit (the Crystals "He's A Rebel" and "He's Sure the Boy I Love." and Bob B. Soxx and the Blue Jeans "Zip-A-Dee-Doo-Dah"). She's also sang backing vocals for Sam Cooke, the Beach Boys, Dionne Warwick, Elvis, Sonny & Cher, Tom Jones, among many others. She is royalty.


Love, with the Blossoms, 1965

Though I obviously haven't seen tonight's performance, I can tell you exactly what will go down. Letterman will introduce her, and then they'll cut to the stage. Every year it's a different set, but Love usually is off camera for the intro. (During the intro, they may cut to the sleigh bell guy, who figures big in the overall sound.) She'll come on, with a different look than previous years, and undoubtedly a different hairstyle. Because every years appearance is Darlene Love's night to shine, it's like her own pop music prom, and every year she looks happy, healthy, and young for her age (74). She'll go through the first few verses and choruses, and the song will continually build. When the song hits the sax solo, that sax player will appear, usually in cornball fashion (one year he flew in, one year he was pulled in on a sleigh by elf-ish vixens, and another year through a cloud of smoke). As corny as the sax player's arrival usually is, it worth noting that you're pulled in so much at that point, that it doesn't derail the performance (and that's something to say). Towards the end of the song, fake snow will begin falling. They'll pan the audience. And every bit of Grinch that you have in you will be momentarily eliminated. After Letterman greets her, there will be a reprise of the chorus, just to make sure you're satiated.

For the life of me, I can't explain why Love's annual appearance on Letterman gets to me; and I've spent quite a bit of time trying to figure it out. The only thing I've been able to discern is that it's because Love's performance on Letterman transcends rock n' roll, pop music, Phil Spector, Rock n' Roll Hall of Fame, Christmas, gift giving, religious preferences, Letterman and Darlene Love herself. It is one of those very rare moments when a song is so intrinsically perfect, in words, music, performance and instrumentation, that for three and a half minutes nothing else matters. (Note: This is updated from earlier post. I'm that lazy.)

Added 12/22/2012:

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
Darlene Love - Christmas (Baby, Please Come Home) mp3 at AM Then FM Simulated stereo
Video:
Darlene Love - Christmas (Baby Please Come Home) 2011, Letterman at YouTube
Darlene Love - Christmas (Baby Please Come Home) 2010, Letterman at YouTube
Darlene Love - Christmas (Baby Please Come Home) 2009, Letterman at YouTube
Darlene Love - Saved (1965) at YouTube
Darlene Love - Christmas Time For The Jews (claymation) video at Hulu.com (from Saturday Night Live)
Visit:
Darlene Love Official site
Darlene Love at Wikipedia

Thursday, December 20, 2012

YOU CAN DO THIS

You ought to know most of these by now. The first two are for the people who can't get enough of Darlene Love's "Christmas (Baby Please Come Home" and/or those fiend enough of Phil Spector's Wall of Sound to cringe at the thought of it's dismantling. The first version is in glorious mono, the way Spector intended it to be heard, and the second is what many consider blasphemy, mixed to simulate stereo. Sounds wrong if you ask me. After that are a couple standards, Chuck Berry's "Run Rudolph Run", which has yet to be improved on by Keith Richards, Dave Edmunds, Lemmy, or anybody else, and Clarence Carter's "Back Door Santa" (sampled in Christmas in Hollis" by Run DMC, blah, blah, blah). Then there's a newie but goody by JD McPherson, a promising young throwback. Rounding things out are the Ronettes, two because Ronnie Spector was so hot, and the Sonics, because I'm a goddamn Sonics booster.

Reminder: Darlene Love will be performing "Christmas (Baby Please Come Home)" on Letterman on Friday night. 

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
Darlene Love - Christmas (Baby, Please Come Home) mp3 at AM Then FM Simulated Stereo 
Chuck Berry - Run Rudolph Run mp3 at AM, Then FM
Clarence Carter - Backdoor Santa mp3 at AM, Then FM
JD McPherson - Twinkle (Little Christmas Lights) mp3 at KEXP 
The Ronettes - Sleigh Ride mp3 at Side One Track One 
The Ronettes - I Saw Mommy Kissing Santa Claus mp3 at Obscure Sound 
The Sonics - I Don't Believe in Christmas mp3 at Obscure Sound

Tuesday, December 18, 2012

WTF (SLIGHT RETURN)

Just a heads up here. The studio version of the WTF's "Cut Me Some Slack" has been released, and is available at you-know-where. I'm still trying to wrap my head around this one; the fact that one of the Germs ended up playing with one of the Beatles. Hearing Paul McCartney introduce "Mr. Pat Smear.." to what had may have been one of the biggest worldwide audiences ever.  I really don't care that the song, while good, is nothing earth shattering. I'm just a little flabbergasted. The first McCartney solo LP was the second album I ever bought, when I was about twelve years old. I saw the Germs second gig ever in 1977 (and Pat Smear had the complete ass cut out of his jeans). And, well, all of you have Nirvana moments. Mine was a pre-release second generation tape of Nevermind, played for me by Lady Latimore before Nirvanamania went global.  Alas, this is kind of an "aw shit" moment, because there's likely not much in the way of collaborations that will surprise me now.

Here's the clip of the WTFers doing the same song on SNL. Gotta love Smear, breaking out the Target wardrobe to play with an ex-Beatle.






I'm not going to look for an mp3 of the song, because it was done for charity. If you feel so inclined, go for it. I mean, c'mon, what'll you save? A couple bucks?

Monday, December 17, 2012

THE REVEREND DELIVERS

Reverend Tom Frost, musician, blog man and nice guy, from South of Hell, France, used to run Spread the Good Word. He bid adieu to the blog while back, but pops his head up every so often, re-upping a mix here or there. I'm getting spoiled, I've come to expect these incidents, but that's not to say that I take them for granted. Everything this guy has his toe in merits attention, whether it's his mixes or his own music

For me, the ultimate litmus test for music, really good music is whether or not my late twin brother Tim would like it. Our tastes in music were very similar, and we functioned as final filters for each other. I'll give you an example: the Challengers. They were a surf band not unlike the Chantays, Surfaris, Bel-Airs, Lively Ones, or any other faceless surf band. Or so I used to think. Nothing ever indicated anything to the contrary, not that I was exposed to anyway, until Tim deemed them dodes, a derogatory term I still don't know the meaning of. All I knew, and still know, is that the Challengers are out. But Tim would have dug these mixes, and probably have knocked back a few with the Reverend if he ever had the chance. That's a long winded way of saying that I consider the Reverend part of an extended family. And his mixes are always top shelf.

The Mixes:
Spread The Good Word Bloody Holiday Mix 9
Spread The Good Word Bloody Holiday Mix 8
Spread The Good Word Bloody Holiday Mix 7
Spread The Good Word Bloody Holiday Mix 6
Spread The Good Word Bloody Holiday Mix 5
Spread The Good Word Bloody Holiday Mix 4
Spread The Good Word Bloody Holiday Mix 3
Spread The Good Word Bloody Holiday Mix 2
Spread The Good Word Bloody Holiday Mix 1
Visit:
Reverend Tom Frost

Saturday, December 15, 2012

GO POWER, IT'S THAT TIME

This would be the "James Brown Christmas post that you knew was coming, at least I did, because James Brown put out many a Christmas jam and I'll be damned if I'm not going to take advantage of an easy night" post.  I'll tell ya, that JB Christmas LP along with the Phil Spector joint. All you need.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
James Brown - Funky Christmas mp3 at SB Dave
James Brown - Go Power At Christmas Time mp3 at The Sound of Indie
James Brown - Santa Claus Go Straight to the Ghetto mp3 at The Mob Third Coast
James Brown - Soulful Christmas mp3 at Big Rock Candy Mountain
James Brown - Christmas In Heaven mp3 at Pup 'n' Taco
James Brown - Let's Unite the World at Christmas mp3 at Panic Stream
James Brown - Please Come Home For Christmas mp3 at Panic Stream

Friday, December 14, 2012

STAY CLASSY SAN DIEGO

Here's a quick one from the Night Marchers. It's from a long player due out next month, and it's a fine jam. Some of you will recognize the rasp of John Reis, the prolific sapsucker from Rocket From the Crypt, Hot Snakes, Drive Like Jehu and four dozen other bands. He's also the boss man at Swami Records, and the host of the badass Swami's Sound System radio show.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
The Night Marchers - All Hits at Swami's SoundCloud Note: Click on the small arrow next to the "share" button to download.
The Night Marchers - I Wanna Deadbeat You mp3 at I Am Fuel, You Are Friends
The Night Marchers - Who's Lady R U mp3 at Gimme Tinnitus
The Night Marchers - Jump In the Fire mp3 at The Burning Ear
Visit:
Swami's Sound System at Slacker
The Night Marchers at Wikipedia
Swami Records

Thursday, December 13, 2012

PULL IT TOGETHER FAT MAN

It's that time again, and I'll be damned if those holiday yahoos aren't at it early again this year. Seriously, I try to delay posting links to holiday stuff too early. Really, you know as well as I, most holiday music, as music, blows. Good music must be useful at all times. I can't get behind a song that's relevant for only a month out of the year. A lot of you might argue that point, but really, you know it's all about how it performs as background music at get-togethers. Nevertheless, I will dutifully suck it up. You party planners have a lot of stuff on your plate, what with napkins, paper plates, keg cups, trash bags and all that red and white shit. The last thing you need to be worrying about is tracking down music. And this time of year, it's floating around in abundance. Hell, if Reverend Tom Frost re-upped one of his Bloody Christmas mixes, you know everybody's getting in on the action. (Thanks Reverend, it wouldn't be Christmas without you!) There are other sites like that, ersatz Christmas traditions. Good old dependable Big Rock Candy Mountain unleashes holiday stuff in a frenzy, multiple songs almost daily. You ought to tap that stuff.

This will get things started:


There's another mix down there, from Rock 'n' Soul Ichiban, Beat Xmas. Boy, what a mob on that one: Jack Keroac, Charlie Parker, Lord Buckley, Jim Backus, William Burroughs, Miles Davis, Hank Crawford. Like, put up your red and white shit, if that's your bag, man.

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
Jimmy Reed - Christmas Present Blues mp3 at Big Rock Candy Mountain 
Cordell Jackson - Be Bopper's Christmas mp3 at Big Rock Candy Mountain
Bessie Smith - At the Christmas Ball mp3 at Big Rock Candy Mountain
The mixes: 
A Bloody Christmas Mix, Part 9 at Spread the Good Word 22 songs, hand picked by Rev. Tom Frost 
Beat Christmas at Beware of the Blog 25 selections, music and spoken weird.

Wednesday, December 12, 2012

LET ME GET THIS STRAIGHT

Never thought I'd see the day. The guitarist from the Germs, and the rhythm section of Nirvana, with one of the Beatles. Well, blow me down.  It was streaming online, the 12.12.12 Sandy benefit. (The clip I found went dead a half hour after it was posted on YouTube, but you should be able to find it somewhere else). You know what this makes think about? What would Darby Crash, Kurt Cobain, George Harrison and John Lennon be doing? If this whole thing doesn't intrigue you, this is primarily for those in my age group, who saw the Germs way back in the day. Particularly my homies who were at that early Germs show at the Whiskey.

Monday, December 10, 2012

35 YEAR OLD SHAKE

A lot of you probably have the first Clash album, and some of you might have both versions, the original 1977 UK version, and the US version, released in 1979 with a different track listing. I was fiend enough to own both, but the UK version I had has been lost for years. It was good to here "Protex Blue" again today, so I thought I'd make an easy "fix the US version" kit for fellow tightwads. As happens with most of my bright ideas, the results are rather half assed. I could only find two of the other four songs needed, "Cheat" and "Janie Jones". In lieu of the other two ("Deny" and "48 Hours") there's the demo of "1977" that makes the officially released version sound over produced, and a link to a 1978 show (both of which have been posted before).

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen: 
The Clash - Protex Blue mp3 at Boogie Woogie Flu
The Clash - Cheat mp3 at Town Full of Losers
The Clash - Janie Jones mp3 at The Weekly Meat
The Clash - 1977 (demo) mp3 at Dalston Oxfam Shop 
Live set: 
The Clash - Live at the Palladium (1979)  at Captain's Dead Complete set as a zip and individual songs as mp3s. Good quality soundboard recordings, for those who care. 
Visit:
The Clash (LP entry) at Wikipedia

Friday, December 7, 2012

YOU KNOW WHERE I'LL BE

Man, oh man, everything fell into place on this one. First, Diddy Wah lured me out of podcast indifference with his Specialty Records mix a few weeks ago. Then tonight, just randomly checking Rock 'n' Soul Ichiban's blog roll, I clicked on Truckers Shuckers Freaks and Geeks, a blog I'd never visited and had ignored because of the name. As it turns out, it's one badass place. I saw the label for "Rollin' Dynamite" by Scotty McKay on one post, and took the bait. McKay is ex-Blue Cap Max Lipscomb, who did a cover of "Train Kept a Rollin" that rivals, if not surpasses, Johnny Burnette's version in overall awesomeness. Really, if you check out one song this week, make it that one (a link is below). Back to business: while I thought I was just downloading "Rollin' Dynamite", it ended up being a whole 72 minute podcast and, believe it or not, that's a good thing. There's back announcing and some other dialogue, but, holy shit, you cannot argue with the song selection; all obscure raw rockabilly, as in you've probably never heard any of it before. It's the compilation you couldn't afford and a lesson in obscurabilly.

Here's a few with tonight's inciter, McKay, and links to both the Truckers and such blog, and the individual podcast (download link on that is on the bottom left, where it says "download episode"). The first two McKay songs are the rockers (consider both essential), and the second two has him with one toe in New Orleans

~ NOTE: ALL MEDIA IS HOSTED BY THE BLOGS & SITES NAMED BELOW ~
Listen:
Scotty McKay - Train Kept a Rollin mp3 at Beware of the Blog
Scotty McKay - Bad Times mp3 at Rock 'n' Soul Ichiban
Scotty McKay - Sea Cruise mp3 at Event Magic Nothing to see there.
Scotty McKay - Lil' Liza Jane mp3 at Event Magic Nothing to see there.
The podcast:
Rollin' Dynamite Rockabilly Spinout! mp3 at Truckers Shuckers Freaks and Geeks Scotty McKay at 24:05
The home page:
Truckers Shuckers Freaks and Geeks